This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

Work of art in archival inkjet prints by artist Kendra Smith as part of a 2019 MFA Exhibition, entitled "The Walk".

Work of art in charcol and tape on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in archival inkjet prints (64 prints each 4 x 6 inches) by artist Kendra Smith as part of a 2019 MFA Exhibition, entitled "The Walk".

Work of art in embroidery on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in installation Shot (Photo by Megan Desoto) by artist Alyssa Russell as part of a 2019 MFA Exhibition, entitled "On/Scenity".

Work of art in newspaper by artist Amy Wachal as part of a 2019 MFA Exhibition, entitled "Angelfish Prayers". Fish created from current newspaper headlines about the degradation of the oceans

Work of art in cut cloth and charcoal by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in cotton fabric, cotton batting (Photo by Megan Desoto) by artist Alyssa Russell as part of a 2019 MFA Exhibition, entitled "On/Scenity".

Work of art in ceramic sculpture, wood and bronze by artist Amy Wachal as part of a 2019 MFA Exhibition, entitled "Angelfish Prayers". The Sea Otter was hunted to near extinction in the 19th century. Now, thanks to their protected status under the Endangered Species Act & Marine Mammal Protection Act, sea otters are making a comeback in California, Washington, and Alaska. Proof that when people come together and fight for change, there is hope.

Work of art in archival inkjet prints (various sizes) by artist Kendra Smith as part of a 2019 MFA Exhibition, entitled "The Walk".

Work of art in archival inkjet prints by artist Kendra Smith as part of a 2019 MFA Exhibition, entitled "The Walk".

Work of art (variable dimensions) in paper (paper mache objects of visitor responses) by artist Karla Garcia part of a 2019 MFA Exhibition, entitled "Uncertain Ground."

Work of art in Cotton Fabric, Cotton Batting (Photo by Megan Desoto) by artist Alyssa Russell as part of a 2019 MFA Exhibition, entitled "On/Scenity".

Work of art in digital image by artist Megan A. DeSoto as part of a 2019 MFA Exhibition, entitled "Beauty Remains, Object Portraiture"

Artist Statement from the MFA exhibition: In my recent work, I explore my identity as a first-generation American, using my painting practice to think about early memories of living in-between two cultures. These remembered moments allow a space for me to consider how both cultures merge. Portraying vivid memories through colorful recognizable objects and body parts, memories take on a new context, showing the passage of time, and reflecting on how memories take on new meaning. My desire to save these moments relates to my wish to name what makes me belong, and what marks me as unique, within the two cultures in which I exist.

Poster for a lecture presented by Dr. David Darts titled "The Makers of Things: Art Education and Freedom in the Digital Age of Digital DIY" which was the 4th annual D. Jack Davis Endowed Lecture in Arts Education. The poster includes a photograph of Darts with children at a playground as well as details about the lecture, held at UNT on the Square on Wednesday March 9, 2011, and logos for UNT and the College of Visual Arts + Design.

Maternity blouse of gray mélange wool jersey. Bateau neckline with detachable knitted collar in gold, gray and ivory. Center front opening of four self-covered buttons with bow of matching fabric at base of opening. Elbow-length sleeves with closure of two self-covered buttons. Angled welt pockets at sides. Lined in black cotton. Designer's label: Page Boy / Dallas Retailer's label: Marshall Field & Company / Maternity Shop

Work of art of gallery detail by artist Amy Wachal as part of a 2019 MFA Exhibition, entitled "Angelfish Prayers".

Work of art of installation image by artist Sarah Janke as part of a 2019 MFA Exhibition, entitled "Bewildering Genealogy"

Work of art in charcol and embroidery on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in archival inkjet prints by artist Kendra Smith as part of a 2019 MFA Exhibition, entitled "The Walk".