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[35 East Wacker Drive, Chicago, Illinois, United States]

Access: Use of this item is restricted to the UNT Community
Detailed view of stonework and windows above the front doors of a multistory building at 35 East Wacker Drive in Chicago, Illinois. The address, "35 East Wacker Drive" is engraved in the stone above the doors, at the bottom of this image. The building was also formerly known as the North American Life Building, the Pure Oil Building, and the Jewelers' Building.
Date: 1924/1927~
Creator: Thielbar and Fugard
Object Type: Physical Object
System: The UNT Digital Library

[35 East Wacker Drive, Chicago, Illinois, United States]

Access: Use of this item is restricted to the UNT Community
A building at 35 East Wacker Drive in Chicago, Illinois. The building was also formerly called the North American Life Building, the Pure Oil Building, and the Jewelers' Building.
Date: 1924/1927~
Creator: Thielbar and Fugard
Object Type: Physical Object
System: The UNT Digital Library

[333 West Wacker Drive, Chicago, Illinois]

Access: Use of this item is restricted to the UNT Community
View of the glass facade of the building at 333 West Wacker Drive in Chicago, Illinois.
Date: 1983
Creator: Kohn Pedersen Fox Associates
Object Type: Photograph
System: The UNT Digital Library

[333 West Wacker Drive, Chicago, Illinois]

Access: Use of this item is restricted to the UNT Community
Southeast entrance to the building at 333 W. Wacker Drive in Chicago, Illinois. There are steps leading up to the entrance and two marble columns flank the doorway. The lower part of the building is made of stone with windows above.
Date: 1983
Creator: Kohn Pedersen Fox Associates
Object Type: Physical Object
System: The UNT Digital Library

[333 West Wacker Drive, Chicago, Illinois]

Access: Use of this item is restricted to the UNT Community
Detail view of the marble columns surrounding an entrance to the building at 333 West Wacker Drive in Chicago, Illinois.
Date: 1983
Creator: Kohn Pedersen Fox Associates
Object Type: Physical Object
System: The UNT Digital Library

[333 West Wacker Drive, Chicago, Illinois]

Access: Use of this item is restricted to the UNT Community
View of one corner of the skyscraper at 333 West Wacker Drive, in Chicago, Illinois.
Date: 1983
Creator: Kohn Pedersen Fox Associates
Object Type: Physical Object
System: The UNT Digital Library

190 South La Salle

Access: Use of this item is restricted to the UNT Community
View of the top of a skyscraper at 190 South La Salle Street in Chicago, Illinois.
Date: 1986
Creator: Johnson, Philip & Burgee, John Henry
Object Type: Photograph
System: The UNT Digital Library

[333 West Wacker Drive, Chicago, Illinois]

Access: Use of this item is restricted to the UNT Community
View of the glass facade of the skyscraper at 333 West Wacker Drive in Chicago, Illinois.
Date: 1983
Creator: Kohn Pedersen Fox Associates
Object Type: Physical Object
System: The UNT Digital Library

A Word to the Kaiser

Access: Use of this item is restricted to the UNT Community
None
Date: 1923~
Creator: Ferris, Jean Leon Gerome, 1863-1930
Object Type: Artwork
System: The UNT Digital Library
[Interview with Elda Harrington] (open access)

[Interview with Elda Harrington]

This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
Date: April 2, 2008
Creator: Kidd, Allison & Westrup, Sarah
Object Type: Text
System: The UNT Digital Library
[Interview with Adelma Benavente Garcia] (open access)

[Interview with Adelma Benavente Garcia]

This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
Date: March 25, 2008
Creator: Kidd, Allison & Westrup, Sarah
Object Type: Text
System: The UNT Digital Library
[Interview with Paula Sibilia] (open access)

[Interview with Paula Sibilia]

This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
Date: April 23, 2008
Creator: Kidd, Allison & Westrup, Sarah
Object Type: Text
System: The UNT Digital Library

[Metropolitan Museum of Art]

Photograph of a sculpture exhibit in the Metropolitan Museum of Art in New York, New York. In the foreground, a two-story exhibition hall is visible filled with brown pedestals displaying small sculptures. Two stories of colonnaded archways are visible in the background.
Date: unknown
Creator: Gough, Ray
Object Type: Photograph
System: The UNT Digital Library

Evening Coat

Evening coat of gold metallic brocade in a floral motif with multicolored rectangles. Cocoon-style, with white fox collar, the full-length barrel sleeves with matching fur trimmed cuffs. The coat has a single button closure, and pink silk satin lining. Label: "Hattie Moss / Walnut at Seventeenth / Philadelphia"
Date: 1926
Creator: Moss, Hattie
Object Type: Physical Object
System: The UNT Digital Library

Skirt Suit

Two-piece gray faille moire wool and nylon suit. Jacket is long, with wide notched collar, is double breasted, has bound button holes, and buttons below waist. It has a sculptural double-breasted front panel, that maintains a vertical linear center front, rounded shape visually flanks stomach area. The skirt is straight; slightly below knee length.
Date: 1950
Creator: Balenciaga, Cristobal, 1895-1972
Object Type: Physical Object
System: The UNT Digital Library

Dress

Dress of polychrome cotton print. The floor-length dress is of cotton fabric with a raised "zig-zag" texture, in the style of cotton piqué weaving. It is printed with a series of horizontal bands in geometric designs in blues, reds, greens, tan/brown, orange, and purple. The sleeveless dress has a shallow boat neckline in front and deep squared-off neckline at back. The fitted bodice section ends at the natural waist, into which the long skirt is slightly gathered. The front of the skirt has two patch pockets of the same material, with the print matched to disguise the pockets. One of the lower bands of the skirt is embellished with applied non-functional circular gold-colored "buttons". The hem of the dress has a 7 cm. wide band horizontal band of red wool trim, from which hangs red wool fringe. The center back zipper closure has a single hook-and-eye at top. The dress is lined in red fabric. The dress has two labels sewn inside. At left side at seam is designer's label "Lanvin / Paris New York"; at right side near zipper is size label "6".
Date: 1970
Creator: Crahay, Jules-Francois
Object Type: Physical Object
System: The UNT Digital Library

Dinner Gown

Dinner gown of red velvet. The full-length dress is of deep red velvet, embroidered in black to form an all-over pattern of "fish scales". Neckline is rounded, higher in front than back, and has full-length sleeves with a modified leg-of-mutton effect at the shoulders and zipper closures at wrists. The bodice is seamed, and has a natural waistline. The neckline, waistline, and upper part of sleeves/shoulders are edged in black cording/braid. Skirt is slightly gathered into the waistline braid. Center back zipper closure with hook-and-eye closure at neck. Small panel lining front of bodice at bust, the rest of the gown unlined. No label sewn in garment, but retains original paper tag: obverse: "Vera Maxwell / Original"; reverse: "Vera Maxwell / Original / Fibre Content / 100% Wool / Style 121 / Size [blank] / Mat. [blank] / Account No. [blank]". This gown is one of the "Dance Hall Girl" dresses from Ms. Maxwell's Southwest American Collection.
Date: 1966
Creator: Maxwell, Vera
Object Type: Physical Object
System: The UNT Digital Library

Ensemble

Ensemble in black and oatmeal colored wool, consisting of: A) Jacket: Semi-fitted wool in abstracted herringbone weave with black and oatmeal yarns running double throughout; moderately rounded neckline with asymmetrical mandarin collar; full-length raglan sleeves with overarm seam and undersleeve; double breasted front opening with eight round, plastic, oatmeal colored buttons and four bound buttonholes supplemented by single hook & eye inside lap at waist; vertical welt pockets on front lined in black silk; fully lined in black silk. Designer's label at inside collar: "Balenciaga / 10 Avenue George V Paris" and "Made in France". Retailer's label at inside side seam: "Neiman-Marcus" B) Dress: Knee length dress; bodice of black wool gauze with jewel neckline; sleeveless; lapped center front opening with four round self-covered buttons and bound buttonholes supplemented by single snap and hook & eye; bodice gathers into seam at natural waistline; gathered hip yoke of same gauze; straight skirt of matching herringbone has three snaps at center front opening; folded hem; gauze is lined in black silk organdy; skirt is unlined.
Date: 1954
Creator: Balenciaga, Cristobal, 1895-1972
Object Type: Physical Object
System: The UNT Digital Library

Handbag

Handbag. Rectangular silver art deco openwork frame set with tiny marcasites and circular cabochon black stones (onyx?). Bag is of black silk velvet. Handle of black silk velvet with two silver rings set with marcasites. Lined with dusty pink ribbed silk, and containing a small rectangular mirror. Marked on frame: "MD" in a square; Diamond shaped mark with an M over a K; and an illegible shield-shaped punch.
Date: 1920
Creator: unknown
Object Type: Physical Object
System: The UNT Digital Library

Jumpsuit

Jumpsuit of pink, yellow, green and blue horizontal striped paper. The full-length rayon fiber remay paper pantsuit has olive green, pink, blue and tan stripes. Bodice is sleeveless, empire style, with with high rounded neckline and narrow spread collar, with stripes going horizontally. There is a center back zipper closure from the neck to hip-level. Pants are full-length, wide legged palazzo pants with vertical stripes. The pant legs are slit from the hem to mid-calf, and are unhemmed. The piece is lined in a white rayon fiber paper cloth. Retailer's label at inside left beneath the collar: "Change-In-Time / Boutique / Dallas, Texas".
Date: 1966/1967
Creator: unknown
Object Type: Physical Object
System: The UNT Digital Library

Reticule

Reticule. Drawstring handbag/purse of black knit with openwork band along top through which drawstring is threaded. Running around center of bag are three horizontal bands of blue beads bordered by silver/gold lined beads. Lower part of the bag is completely covered by horizontal bands of silver/gold lined beads and blue beads. Bottom of bag with large sphere covered with blue beads from which hangs tassel of silver/gold lined bead loops. Unlined. Has been dated 1880-1890 or ca. 1916.
Date: 1880/1916
Creator: unknown
Object Type: Physical Object
System: The UNT Digital Library

Ensemble - Dress and Coat

Dress and coat of peacock feathers. The short, sleeveless dress is entirely covered with peacock breast feathers, accented with a 1" band of blue cording and chenille trim at neckline and with blue cord spaghetti straps. It is fully lined with navy polyester. The long, sleeveless coat is covered with peacock herl / flue feathers. It has a round neckline, and no closure. These pieces are part of a larger ensemble, consisting of a total of 9 pieces decorated with peacock and/or golden pheasant feathers. Worn to the Emmy Awards ceremony in Los Angeles, California, April 1976.
Date: 1976
Creator: Ventura, Jane
Object Type: Physical Object
System: The UNT Digital Library

Ensemble - Jacket, Skirt and Blouse

Suit in hot pink nubbly wool knit. The ensemble consists of three pieces: a jacket, matching skirt, and black silk shell. The jacket is hip-length, with a shawl collar which has an attached black silk tie. The center front closure has 6 circular brass buttons with central embossed lion's heads and black outer edges. There are four faux flap pockets at front, two on each side of opening, each with button matching those of the closure. The long sleeves have simulated closure, with a line of three buttons matching others on each sleeve. The pocket flaps, cuffs, collar, center front, and hem are all edged in black. Designer's label sewn inside jacket at collar: "Adolfo / New York", with retailer's label sewn in just below: "Neiman-Marcus". The matching skirt is below-knee length, of the same pink wool knit, with pleating beginning 7" below waistband and extending to hem. Skirt has designer's label sewn inside at waistband as jacket. The accompanying black silk blouse is sleeveless, with rounded neckline. Single black silk -covered button closure at back of neck. Shell has designer's label sewn inside at left of closure as jacket.
Date: 1979
Creator: Adolfo
Object Type: Physical Object
System: The UNT Digital Library

Mourning Ensemble - Bodice and Skirt

Black silk mourning ensemble consisting of bodice and skirt. The bodice of black silk is fitted and boned, with a high, standing black silk band collar with appliqued black lace medallions. It has full-length, modified bishop sleeves that gather into the armseye. Below the gathered cap, in the portion corresponding to the upper arm, the fullness of the sleeve is controlled with top-stitched vertical tucks. From the elbow to the cuff the fullness is again released in a bishop sleeve silhouette. The sleeves gather again into wide black silk cuffs with appliqued black lace medallions and four narrow bands of black velvet ribbon. The bodice front is constructed on the lines of a bolero jacket, with a deep V-shaped opening and wide ruffled collar which is constructed of horizontally tucked black crepe-patterned silk. The released fullness of the tucking creates the ruffled finish. The ruffled portion is edged with two narrow bands of black velvet ribbon. The bodice front has a bib fill of gathered black silk and tulle net that is secured with hook-and-eyes beneath the left collar overlay. The fill area disguises the true front opening which is secured with thirteen hook-and-eyes. The main body of the bodice, …
Date: 1900/1903
Creator: unknown
Object Type: Physical Object
System: The UNT Digital Library