This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

Evening pantsuit of ivory, blue, and black striped silk consisting of three pieces: a) Mid-length jacket of vertically striped silk with very wide, straight sleeves. Center front opening with no closure. Attached shoulder pads. (b) Pants of matching silk. Full-length, with center back snaps and hook-and-eye closure. Designed to fit loosely, with drawstring waist. (c) Short sleeved tank-style top of matching silk. Sleeveless, with round neckline. The hem, armholes, and neckline are trimmed in black. Each piece has designer's label "Oscar de la Renta".

Hat with "Pineapple" crown. The domed crown of green felted rabbit fur is worked by gathering, "pinching" and seaming to create a surface resembling a pineapple. Around the hat "orbit" two bands of taupe felted rabbit fur edged in green grosgrain ribbon. They are connected on opposite sides of the hat and extend out into the space around the crown. Crossing the ribbons at one attachment point is a green felted rabbit fur "sheath" from which extend three long pheasant feathers. Inner hatband of green grosgrain ribbon, and with taupe felt lining the inside of the crown. Sewn to the inner hatband is designer's label: "Ian / D"

The Frederic Hamilton building is a 2006 extension of the Denver Art Museum located within the Civic Center Cultural Complex.

The entrance and spider sculpture are on the eastern side of the building.

The northeastern prisms soar high above the entrance.

The northern prow of Libeskind's building points toward Gio Ponti's north building.

The south side of the Frederic Hamilton building sits in front of the high-rise Republic Building.

The facade of the building is shown in its setting on the campus and the view is looking southwest.

Two different surface treatments are shown in this exterior view of the facade on the Vassar Street main entry.

Raking view of facade along Vassar Street includes the main entry.

This exterior view includes the amphitheater.

The upper southeast elevation facade, north end, of the building is shown.

The view is of the stainless covered lab in the upper court.

The interior of hallways, seating and ceiling detail are shown in this view.

The prow of the building juts eastward.

Pair of women's shoes of black patent leather. Designed with square toes, the vamp has an applied large square of black patent leather crossed vertically by a narrow band of red leather set off-center to right side of wearer. "Kitten" heel 1 1/2" high formed as a silver rectangle with horizontal black band and vertical red band. Designer's label inset int sole: "Davis by Ruthie Davis" Designer's monogram impressed in sole, two facing "D"s Impressed in sole: Outline of hide inscribed "Vero Cuoio"; "Designed in / New York / Made in Italy / 6"

Dress of black silk taffeta and black and white cotton; strapless; full-length; bodice of black silk taffeta has uneven horizontal tucks creating a ruching effect across the ribs; bow at CF neckline; full white cotton lawn skirt gathers into waistline; black cotton lawn floral applique covers skirt; CB zipper; 6" wide crinoline around inside of hem; first layer under skirt is sheer white nylon with 6" wide crinoline around inside of hem; bottom layer of skirt is heavy white silk with 6" wide crinoline encased around hem. Designer's label: Oscar de la Renta Size: "8" Origin: "Made / in USA"

Image of part of an art installation at Trinity College in Hartford, Connecticut...

Image of part of an art installation at Trinity College in Hartford, Connecticut.

Image of part of an art installation at Trinity College in Hartford, Connecticut.

Image of part of an art installation at Conduit Gallery in Dallas, Texas.