Ceremonial/Cofradia (religious society) Huipil. 2 breadth garment back strap loomed in cotton with cotton and silk single-faced brocaded designs - broad and widely spaced red warp stripes amid very wide areas of ixcaco (natural brown cotton) - no trim at neck or sleeves.

Man's tzut (head or shoulder cloth) of handspun cotton, possibly for a member of the Cofradia (religious society). Back strap loomed warp face plain weave with warp stripes and warp jaspe (ikat).

Girl's huipil (blouse). Single breadth garment back strap loomed in cotton Double face brocaded geometric design motifs in synthetically-dyed cotton. Neck and side seams both hand stitched.

Pantalones (Pants) for a Boy or the Figure of a Saint. Back strap loomed white cotton ground with simple jaspe (ikat) of blue and white dash stripes. Simple cotton hand embroidered design motifs at lower edge of each leg.

Man's Banda (Sash). Handwoven cotton on a backstrap loom, plain weave, red with jaspe (ikat) striping, loose knotting at the ends.

Unused (neck opening never cut) huipil (woman's blouse). White cotton warp and weft handwoven on the back strap loom - technique called picb'il (supplementary weft brocade on a spaced or gauze weave textile - no supplemental weft). This style huipil is always wider than longer so the side panels will hang lower than the center panel. This huipil is never tucked into the skirt, thus giving the wearer freedom to move around and feel cool in the subtropical climate of 3500'.

Man's Pantalones (Pants). Handwoven back strap loomed in cotton. White with purple stripes about 1/2" wide. Hand embroidered cotton design motifs at lower leg. Hand-stitched construction.

Ceremonial Morga (Skirt) of purple and blue striped and patterned handwoven cotton and rayon. Created on a treadle loom with warp jaspe (ikat) patterning.

Caftan. Vintage Guatemalan skirt (possibly from Santa Maria de Jesus) remade into a contemporary caftan. Original skirt handwoven on treadle loom all cotton. Hand embroidered cotton randa (joining seam). Notice the handmade fabric toggle closure at neckline to complement original design of skirt.

Center panel from a 3 breadth ceremonial huipil. Handwoven on a backstrap loom in cotton with cotton double- faced brocaded pattern motifs (geometric and double-faced eagles)

Unused (neck opening never cut) huipil (woman's blouse). White cotton warp and weft handwoven on the backstrap loom - technique called picb'il (supplementary weft brocade on a spaced or gauze weave textile - no supplemental weft). This huipil is never tucked into the skirt, thus giving the wearer the freedom to move around and feel cool in the subtropical climate of 3500'.

Unused (neck opening never cut) huipil (woman's blouse). White cotton warp and weft handwoven on the back strap loom - technique called picb'il (supplementary weft brocade on a spaced or gauze weave textile - no supplemental weft). This style of huipil is always wider than longer so the side panels will hang lower than the center panel. This huipil is never tucked into the skirt, thus giving the wearer the freedom to move around and feel cool in the subtropical climate of 3500'.

Man's Pantalones (pants) of red, blue, green, orange, and white striped woven cotton. Textile created on back strap loom. All hand seamed. One selvedge and three hemmed ends.

Cinta (woman’s hairband) of red cotton with multicolored stripes and silk floss tassels at both ends. Textile was handwoven on the backstrap loom with cotton warp and weft.

Cinta (hair ribbon). Handwoven on hair ribbon loom (cross between backstrap and fixed floor loom) using a slit tapestry weave. Although this piece was tagged Zihuatenango it is likely it was only purchased there.