This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.

This painting consists of a white background with many curved multi-colored lines and heavy linear texture.

This oil painting has a predominately white background and many circular multi-colored lines with heavy linear texture.

This painting with a predominately white background contains many multi-colored curved and jagged vertical lines with heavy linear texture.

This painting has a predominately white background and includes many multi-colored jagged lines and heavy linear texture.

This horizontal panel has a predominately white background with many multi-colored curved and jagged lines with heavy linear texture.

This square painting consists of a light green background and many curved multi-colored lines and heavy texture.

This vertical painting is predominately purple and has many multi-colored curved and jagged lines with heavy linear texture.

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This predominately red/orange painting has darker vertical wavy parallel lines and linear texture.

This yellow painting includes curved and wavy lines with perpendicular linear texture.

This painting has a white background and many vertical curved and parallel multi-colored lines with a horizontal linear texture.

This painting's background is predominately white and has many vertical wavy parallel multi-colored lines.

This predominately blue painting includes vertical black wavy lines and linear texture.

This predominately white painting also includes vertical multi-colored parallel wavy lines with linear texture. In this photograph of the painting, the studio floor of the artist is visible.

Mostly green painting also consists of black wavy vertical lines.

This mostly orange painting also includes vertical, parallel wavy and curvy black lines with horizontal lined texture.

Four paintings are hung in a square grouping. Three of the panels are predominately orange and black while the upper right hand panel is a light green with black wavy vertical lines.

This predominately blue oil painting contains many parallel wavy vertical black lines, a few red and yellow vertical lines as well with horizontal linear texture.

Three green panels with vertical black wavy lines are hung in a horizontal linear fashion.

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This mostly white painting includes vertical wavy parallel black and gray lines and lined horizontal texture.