Pair of lady's boots or "High Button Shoes" of black suede. The shoes, designed with pointed toes, are embellished with subtle rows of perforations and stitching. Each boot closes along center front with laces, 19 holes high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Sole of black leather. Hand-written notation inside on lining: "270 85434"

Pair of lady's boots or "High Button Shoes" of black leather. The shoes, designed with pointed toes, close along center front with laces, 19 holes high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Sole of black leather. Stamped on lining: "350 760 / 3027 [monogram]"

Pair of ivory cotton or silk mitts. The elbow-length fingerless gloves are of crocheted ivory material in the style of the 1860s. The long sleeves have bands of lacework patterning. The hands are fingerless, with cording between where fingers would go, and an oval opening for the thumb.

Pair of shoes of red silk satin. Designed with a rounded toe and three straps across vamp which lace with red silk cord. Toebox with floral embroidery in red, and with decorative twisted fabric band across top of toebox. Edges of upper and straps edged off-white leather(?) 2" high modified Louis heel, rounded at sides and back, flaring slightly to base. Mostly illegible stamp inside.

Pair of lady's boots or "High Button Shoes" of black leather and velvet. The shoes, designed with pointed toes, are of black leather at lower portion, and black velvet from edge of vamp to above ankle. Upper section closes with circular, slightly domed black buttons on outer edge, 11 buttons high. 1 3/4" high heels styled as a modified boulevard or Louis heel, with rounded sides and back, tapering to base, and with curved front section. Logo stamped on sole, partly illegible. Embroidered label inside: "[Monogram - CT Co.?] Autograph" Stamped inside: "Our Own Make / 354 812 / Craddock Terry Co."

Pair of lady's boots of black leather. The "high button shoes" are designed with pointed toes, slightly rounded at tips. The boots lace up along the front with 18 holes. Lined at with black fabric. Modified Louis or boulevard heels, rounded at sides and back, flaring to base, and curved at front. Black leather soles. Embroidered logo inside: "[Part lion/part fish symbol] / Wichert / New York"

Handbag of multicolored glass beads in floral garden pattern with birds. Silver metal frame in rectangular shape with red jeweled snap closure. Bag has rounded corners at bottom, transparent beaded fringe and chain handle. Pink satin lining. Trimmed with bead fringe.

Handbag of bronze, brass and aqua metal beads in floral pattern. Rectangular shape, Art Nouveau silver frame with white and green enamel with red, blue, and light green cabochons. Filigree snap closure has large, circular green cabochon. Fringe of self with ends finished in clusters of 3 brass beads. Double chain handle can be worn as single to extend handle longer.

Picture hat of black velvet with domed crown and wide brim edged in black satin. Hatband of pleated black satin. Bright green ostrich feathers on left side of crown. Lined in pink fabric. Designer's label: "Mae Kelley / Exclusive Hand Made Hats / Whittier, Calif." Retailer's label: "Yvonne / Hats / California"

Silver mesh purse with cathedral arch frame etched with scroll filigree. Ball and socket clasp. Ball finials at each corner of tri-corner bottom. Mesh band handle with slide adjustment stamped with a four petal flower. Interior of frame stamped: "Mesh / Whiting & Davis / Bags" and "Sterling"

Boy's suit of olive green wool tweed with gold flecks and small blue and white vertical stripes. A) Jacket. Triangular, placket front is bordered with black twill tape and has a vertical, center insert of red wool bordered with black braid. Four gilded brass buttons on each side of placket with right side closure having tailored buttonholes. 1-1/2" belt of self attaches at bottom button. Long, set-in sleeves are trimmed with two, smaller, nonfunctional matching buttons. Turn down collar closes with 2 hook & eyes. Bow tie of black silk faille. Horizontal, double welt pockets at side. Body of jacket is lined with black polished cotton and sleeves are lined in cotton fabric in stripes of light gray with thin green stripes. B) Short pants of matching tweed. Closes with a single brown button on each side of waist above pockets. Single slit pocket on the back at right. Sides of legs trimmed with 3 matching, nonfunctional buttons. Interior cotton satin waistband has 8 vertical buttonholes and is stamped: "Aletor(?) Waist Band / Patented / June 29, 1896 / 3 / Brooklyn, N. Y." Front lined in brown polished cotton.

Infant's ensemble of fine white persian lawn consisting of: A) Infant's dress of white batiste cotton. Full length dress gathers into square yoke with narrow, vertical rows of fine eyelet and hair pin lace. Two rows of pin tucking separated by two rows of eyelet and hair pin lace matching yoke at bottom with 2-1/2" ruffle of scalloped eyelet lace at hem. Round neckline trimmed in lace. Long sleeves with lace at hem; center back opening. B) Slip of white batiste cotton. Neckline and armholes trimmed in lace. Full length. Narrow row of pin tucks and row of eyelet and hair pin lace matching dress with matching ruffle of scalloped, eyelet at hem. Closure of mother-of-pearl buttons at shoulders. No labels in garment.

Evening coat of cream/ecru wool with beige velvet accents and braided cream cord trim. Full length; center front opening with single hook & eye closure. Wide, 3/4 length dolman sleeves with velvet cuffs. Silk cord in scroll and chain pattern outlined front, sleeves and back to waist. Two inside pockets; ivory silk lining.

Infant's dress of white cotton batiste with lace surrounds. Full length with short, puffed sleeves. High waist gathers at yoke. Yoke and sleeves trimmed in lace. Yoke is constructed of cut-out pieces and is embroidered in white vine and floral design. Hem has five rows of pin tucks above a 2-1/2" ruffle trimmed in satin-stitched dots along the bottom. Center back opening with two tiny mother-of-pearl buttons; third, top button is missing. Unlined.

Child's coat of off-white cotton faille with box pleats front and back; one each at shoulder and one down the middle of both back and front. Front opening to waist of four small white mother-of-pearl buttons and two snaps at neckline, covered by pleat. Sailor collar embroidered with simple flower and vine pattern and embroidered scalloped edges. Long sleeves have the same treatment for 3" cuffs. Dropped waist with belt loops (belt missing).

Infant's dress and slip set of white cotton batiste. A) Gown is gathered at V-shaped yoke with 8 vertical bands of broderie anglaise and 7 strips of narrow lace. Long sleeves have cuffs trimmed with matching broderie anglaise and hem trimmed with netted lace; three rows of pin tucks at bend of elbows. High rounded neckline with matching broderie anglaise. Back of yoke is trimmed with five rows of vertical pin tucks and matching broderie anglaise. Hemline has 1" band of broderie anglaise in fleur-de-lis pattern between three rows of pin tucks. Ruffle at hemline has band of feather stitched embroidery at seam with two rows of drawn work and floral and fleur-de-lis embroidery with scalloped hem. Center back closure of three mother-of-pearl buttons. B) Slip. Rounded neckline; sleeveless. Lace trim at neckline and armseye. Full gathered skirt attached to bodice with band of feather stitched embroidery . Hemline and ruffle of slip is trimmed to match gown. Center back closure of two mother-of-pearl buttons.

Child's dress in off-white cotton. Short, double-layered ruffled sleeves of broderie anglaise. High, gathered waist. Square neckline with eyelet bodice trimmed in lace. Center back opening of three round buttons.

A) Infant's dress of white batiste cotton. Yoke has rounded neckline with tatted lace and floral embroidered inserts. Short puffed sleeves are trimmed in tatted lace. Skirt has insert of floral embroidered batiste between two rows of tatted lace; pin tucking above inserts and at ruffled hemline trimmed with tatted lace. Center back opening with snap closure; snaps missing. Unlined. B) Slip of white batiste cotton. Sleeveless with wide rounded neckline; bordered in tatted lace. Bodice embroidered in floral pattern with embroidered bow at the center. Gathered waist. Skirt with tucks and insert of tatted lace and tatted lace at hem. Center back closure of four mother-of-pearl buttons and button at each shoulder (buttons at shoulders missing).

Small girl's dress of fine white cotton or linen. Wide lace ruffle borders small yoke of lace and net. Short puffed sleeves trimmed with matching lace. Dress falls full from gathering under yoke ruffle with three rows of fine tucks, two rows of lace inserts and matching lace border at hem.

Little girl's dress of blue and white cotton with woven darker blue vertical stripes. Straight silhouette in front with 3 box pleats from ruffled collar to hem. Box pleats conceal the center back opening of four buttons to waist with pleated skirt from waist. Long sleeves with ruffled cuffs and button trim. Half belt of self wraps around to the back and closes with a snap.

Chinese jacket of red damask silk with multicolored embroidery. Almost knee-length, with long sleeves. Floral damask pattern, embroidery of flowers, moths(?), foliage, and other symbols. Angled center front opening bordered with blue, fastened with carved/chased gold sphere buttons and loops. Around opening, hem, collar, and cuffs is embroidered band in blues and white scrolls, with outer border of gold and black. Lined in pink silk. No labels.

Chinese Wedding Skirt for a Member of the Court. Mid-calf length wrap-style skirt comprised of two panels of red brocade silk with chrysanthemum pattern attached to 2.25" waistband of green wool; panels connect with interior button of green wool and skirt is secured with ties of green wool that wrap around the waistband. Panels are unadorned where wrap overlaps and finely pleated where panel is visible. On pleated sections are long strips of dark blue silk piped and backed in light blue silk; strips are decorated with silk and metallic embroidery with floral, dragon, and geometric designs, and at the bottom each strip has a modified fleur-de-lis shape and two silk tassels, one of lavender and the other turquoise. Inset into each side section of skirt are rectangular bands of floral embroidery in silk threads on white silk cloth. The bottom of the skirt has a bands of white and blue silk with embroidery, which are also pleated where visible. Primary background cloth of skirt is red silk. Side panels are lined with turquoise silk fabric. Inside labels from Neiman Marcus and The People’s Republic of China indicate the skirt was probably bought during an Asian Fortnight in 1962 or …

Chinese ensemble of blue silk with multi-colored embroidery. A) Jacket/Bodice. Knee-length, A-line, standing collar, long sleeves with white cuffs embroidered with scenes of Chinese people in various situations. Center front opening with black frogs fastened with spherical gold buttons. Wide band at collar and part of front opening, and hem with embroidery of figures on brown ground. Field of jacket with large multi-colored embroidered flowers and butterflies. B) Pants. Matching. Drawstring waist. Full-length, with matching embroidery, but only on lower legs. Cuffs with wide band of white embroidered with foliage and moths.

Red silk cheongsam style skirt - ankle length taper off skirt fully lined with silk crepe. Hand embroidered silk design motifs - Vertical gold rickrack creates the illusion of the traditional aproned skirt popular in the Qing Dynasty. This is probably a transitional garment going from the ancient style to the more contemporary garments of the 1920's and 1930's. There is a Neiman Marcus and a People’s Republic of China label inside.