Day dress of black silk taffeta. The dress, in the style of the Aesthetic or Reform Movement, is full-length, with a slender silhouette. The front and back of the bodice is styled of tiny vertical knife-pleats, which gather into the rounded neckline. The side panels of the bodice are plain, and there is a line of 14 snaps along the left side forming the closure. The long sleeves are smooth, with slight pleating at the padded shoulders, and they taper to the pointed wrists. The sleeves have 5 hidden snaps and a line of 12 domed non-functioning black taffeta covered buttons on each sleeve. Bodice and skirt are divided by a thin black band. Skirt is fully pleated with tiny vertical knife-pleats. Bodice is lined with thin black crepe. Label sewn inside at back below neckline: "Harbison / Vandervoort's St Louis" Not shown is the accompanying cummerbund of black taffeta, the waistband of large horizontal pleats with a large fan/bow at back with wide, trailing ribbons. (43" from waist to lowest point of ribbons)

Painting depicting a self portrait of Paula Modersohn-Becker.

Six clergy are seen in profile behind the silhouettes of nine geese.

None

setting sun

Man's detachable collar. Exterior layer of off-white, woven to create effect of narrow horizontal bands/stripes with wider plain stripes between. Lining/inner layer of white cotton(?) Stamped on reverse: "Trade Ide Mark / Geo. P. Ide & Co. / U.S.A." "Boardman / 2579" "12 2"

None

None