Transcription of a retelling of Naaspati paomin (the Pear Story), narrated by Sumshot Khular.

Recording of Angela Tholung singing Lam loon laa "alam moh k'hei txooi e" during the Lamkang folk song competition at Thamlapokpi village on 1st January 2017.The video is taken by Sumshot and Tony Khular as part of the Firebird Foundation for Anthropological Research Project.

Angshel Khular of M.Seljol village singing the 'Khungpaar Laa.' Angshel is known for his expert trumpet plays amongst the Lamkangs. He is also a known laapuu and also a dancer. This recording was made in M.Seljol village as part of the Firebird Foundation for Anthropological Research work collection by Sumshot Khular.

Flyer with Lamkang text and a graphic illustrating the benefits of eating vegetables.

This version of the Asangba Nongjabi (Crimson Rainclouds) is in Manipuri using the Roman script.

Belun Sankhil sharing his family origin and forefathers and their family lineage at Phaaidaam village. This recording was made in Phaaidam village as part of the Firebird Foundation for Anthropological Research work collection by Sumshot Khular.

A discussion with Leivon Steney Lamkang, a young woman living in Hyderabad, about the Lamkang community and language in Diaspora.

Recording of Shangjing Sankhil of M.Seljol village making a pnaang for tying things. She also makes her own weaving implements for weaving. She is an expert weaver of Lamkang traditional clothes. This recording is part of the Firebird Foundation for Anthropological Research project collection by Sumshot Khular.

Belun Sankhil showing his crafts work of the different Lamkang baskets that he makes. Explaining about the kinds of bamboo and the cane at Phaaidaam village at his house. Belun Sankhil is also a story teller and singer of Lamkang folktales and folksongs from Phaaidaam village. This recording was made in Phaaidam village as part of the Firebird Foundation for Anthropological Research work collection by Sumshot Khular.

Shangjing Sankhil sharing about the crafts work and also the farming in the village and what vegetables are being planted in the field. This recording was made in Phaaidam village as part of the Firebird Foundation for Anthropological Research work collection by Sumshot Khular.

Shetphong Sankhil and Donnu Sankhil discusses telephone calls. This recording was made as part of the Firebird Foundation for Anthropological Research work collection by Sumshot Khular.

Recording of Reelruh kardaam by Angshel Khular of M.Seljol village. He discusses that it is only the Lamkangs that performed this reelruh dance and the musical instrument called Reelruh is used only by the Lamkang and it's unique to the Lamkangs. This recording is part of the Firebird Foundation for Anthropological Research project collection by Sumshot Khular.

Interlinear-glossed text of the extended edition of Laila Khan reciting "Baadil Jamaal" in the Hunza dialect. This popular story tells of the love between a prince named Gakase Peibuluk and a fairy named Baadil Jamaal. Transcription in Burushaski with translations and analysis in English.

Interlinear-glossed text of Laila Khan reciting "A Black and White Thread Ball" in the Hunza dialect. In this popular story a young shepherd abandons his duties in order to court a girl who was born out of gold and silver to poor parents. Transcription done in Burushaski with translations in English.

An interview with Thoidingjam Lakshmipriya Devi and Huidrom Anuradha Devi. daughters of Maharaj Kumari Angousana Devi, of the Shree Shree Govinda Jiu Jalakeli Pala of Manipur. On getting their education, the establishment of Dhanamanjuri University in Manipur by their grandmother Maharani Dhanamanjuri Devi; their education and teachers at Tamphasana Girls High School founded by their aunt Maharaj Kumari Tamphasana Devi; and the founding of Tombisana Boys High School by their second aunt Maharaj Kumari Tombisana Devi.

Krei Klou dance is a rare dance and with the realization of its importance Mr. Shetphong Sankhil taught this young children to learn to dance and they performed on the new years day at Thamlapokpi village, Shetphong also taught the songs to the singers. This was an initiative to make children learn about the culture and trasitions from young age inorder to keep the culture alive and vibrant. The video is taken by Sumshot and Tony Khular as part of the Firebird Foundation for Anthropological Research Project.

Illustrated Lamkang-English dictionary for children with five sections: the natural world, water, animals, animal life cycles, and animal anatomy (external and internal).

Lamkang-language primer containing illustrated stories for young readers.

Booklet of compiled information about the clans of the Lamkang people, with tables of family trees for each clan, and naming conventions to represent information such as birth order and familial relationships, a list of "extraordinary persons," and other relevant information.

Recording of Lamkang folk song singing competition at Thamlapokpi village on 1st January 2017. This recording is seen with the microphone adjustment before the singing.

Double-sided flyer with photographs of displayed fruits, vegetables, and spices with Lamkang labels identifying each item.

The Jalakeli of the Ningol Pala, the Choir of the Royal Daughters, comprises of 6 compositions. Their lyrics are published here in the order in which they are sung. They date to the 19th century royal court of Manipur; the sixth is from the first part of the 20th century. The first four lyrics are called padavali, songs of praise to Lord Krishna and his consort the Lady Radha. They were composed during the reign of Maharaja Narasingh (regent 1834-1844; r.1844-1850) but gathered in a collection during the reign of his nephew Maharaja Chandrakirti (1834-44; 1850-1886). The first lyric is attributed to Ghanashyamara Das, and the second to Basu Ghosh; the fourth is by Kabi Karnapur. All were Bhakti poets of Bengali origin. The lyricist of the third padavali is unknown. All four are in Bangla, the language of worship and ritual in Manipur of the time. The fifth and sixth lyrics are called rachna, a lyrical form response of appreciation upon listenging to the Jalakeli. The fifth lyric (and the first rachna) also in Bangla, is attributed to Maharaja Narasingh himself and is in Sanskrit. It is reputed to have been composed upon the funeral services of his guru, …

Recording of Tholung Tete singing Khujin Laa "Akhuu jing yoso Var joso" during the Lamkang folk song competition at Thamlakpokpi village.The video is taken by Sumshot and Tony Khular as part of the Firebird Foundation for Anthropological Research Project.

Angshel Khular singing the Laam Laa called 'Ani yoo hangsuk ke txvi txvaa mrsaal le'. Angshel is an expert trumpeteer amongst the few Lamkang trumpeteers. He is also a known Laapuu singer and dancer. This recording was made in M.Seljol village as part of the Firebird Foundation for Anthropological Research work collection by Sumshot Khular.