An article on work culture for young generation. A souvenir of Dularai Boro Harimu Afat published by the reception committee for its 17th annual conference held at Kajiamati, Odalguri on 09-10 Jan. 2020.

Transcription of a retelling of Suumphaai le Raangleen paomin (the Story of Suumphaai and Raangleen), as narrated by Shangchrek Tholung. Ranglen's wife hates his sister Sumphai, and orders him to sell her. Sumphai asks that she sell him to be a slave in a rich village. Ranglen ends up selling her in exchange for a single shaft of a rice plant. Later, Ranglen invites his sister to a feast, and she invites him to eat from what she has grown. Anticipating that his sister will not come, he instructs messengers to tell her he has died. On her way to the anticipated funeral, she is surprised to hear the sound of the Living Drum being played (rather than the Death Drum). She surmises that Ranglen has deceived her, and leaves in a huff. The origins of "Sumphai's goat" (a kind of goat) and "Sumphai's wine" (water that has accumulated in the cleft of a tree) are connected to the final episode of this tale.

Transcription of an elicitation of optatives in Lamkang. The purpose of the elicitation was to investigate optative verb forms. All sentences are of the type "[X] should give a book to [Y]". Recorded from Lamkang speaker Sumshot Khular at UNT.

Transcription of a retelling of Mnuu kdi you mdo thlaam na paomin (Story About Searching for the Deceased Mother), as narrated by Angtoi Sankhil.

Transcription of a retelling of Arthluuk le Raangchel paomin (the story of Arthluuk and Raangchel) as told by Shangchrek Tholung with comments from Tholung Swamy Ksen at Thamlakpokpi Village in Chandel district Manipur, India.

Handwritten notes on Dimasa phonology (tone, phoneme inventory, syllable structure, creaky voice), grammar (case marking, adjective formation, tense and aspect marking) and regional variation.

Handwritten notes on Dimasa phonology with special focus on vowel quality and final glottals. Includes partial index of examples across multiple Dimasa notebooks.

Handwritten notes and transcriptions of the traditional narrative shà ziq ziq ə and others.

Handwritten notes and transcriptions of Akha songs and narratives including mì dàq sjhí ŋɛ tshɔ́ ŋö́ ŋö́ ə and zə́ zà mə́ zə́ zà zə́ sháŋ thúy, which are sung for young (unmarried) Akhas' deaths and for the youngest child in a family, respectively.