Photograph of a small stone fragment at the ancient Maya city of Uxmal, Mexico. The fragment may have previously been part of a larger structure. The fragment has carvings of various Maya symbols and figures.

Photograph of the Church of San José (Templo de San José) in Campeche, Mexico. The block-long façade of the church includes a baroque style and is covered with blue-and-yellow Talavera tiles. The top of the church's façade is crowned with seven narrow stone finials. The building was erected in 1716 by the Jesuits.

A Noticias del Mundo article, "Balada por un Héroe Desconocido." The newspaper's name is printed at the top of the page between an icon of Earth and a column of text that includes the paper's date. The headline of the article is printed below the newspaper's name. The body copy of the article is formatted into four columns and, along with a photograph of five musicians, occupies the rest of the page's space.

A Nuestro magazine article, "Ballad of An Unsung Hero." A bold headline sits at the top of the first page, above a collage of images and photograph of Pedro Gonzalez at a younger age. The text to the left of and below the images discusses the life of Gonzalez and is continued onto the second page, below a photograph of Gonzalez at an older age and next to an image of a newspaper page. A third page contains only text and continues discussing Pedro Gonzalez's experiences.

A San Diego Tribune article titled "Chicano Park mural to trace saga of Don Pedro." The name and date of the newspaper are printed at the top of the first page above the article's title, a photo of Pedro Gonzalez, and a photo of a mural. The body copy of the article begins under its title as a single column of text and continues across a second page in three columns before extending onto a third page as two columns of text. A large image it printed across the top half of the third page, depicting Pedro Gonzalez at 90 years old.

A Los Angeles Times Article titled "Corrido for Don Pedro, An Unsung Folk Hero." The article covers Pedro J.Gonzalez and his discussions regarding his past and the Mexican Revolution.

A Zeta Article titled "la vida de un tijuanense en la televisión norteamericana." Three images have been printed around the headline, the left one depicting Pedro J. Gonzalez while the center photo is of five people in suits with a guitar and the third image shows a newspaper page. Four columns of text fill the area the page under the headline and photos.

Clipping of A La Prensa San Diego Article, "Mexican Folk Hero Immortilized on Logan Bridge." Three photographs are printed above three columns of text on the first page, which depict Carlos Esparza, Yasue Doudera, Pedro J. Gonzalez, Michael Schnorr, and Don Pedro. The columns of text below the images describe a mural created to honor Pedro J. Gonzalez as a hero. The second page of the clipping has photos of a community meeting above three columns of text that discuss a school employee being terminated.

A Daily Variety article, "Pedro Gonzalez Is Honored at Docum Screening." The date of the newspaper is printed above its name and the article's title. The body copy of the article is printed below the title as a single column of text.

A photocopied The Heraldo article titled "También el Policia Liora." The title of the article is printed above smaller lines of text that are followed by a single column of paragraphed text. To the right of the title and its accompanying text is the date of the article and another column of paragraphs.

A photocopied San Diego Union article titled "Villa Comrade Recalls Battles." The article is printed on blue paper and has the text "Now 83, he seeks citizenship" printed above the article's title at the top of the paper. A collage of three images occupies a large space below the headline and is printed above a wide paragraph of text and to the left of a narrower text column. The article continues on the back of the clipping on white paper, which has the article's title and a photo printed at its top while three columns of text fill the rest of the page.

Photograph of the far left portion of the east building of the Nunnery Quadrangle at the ancient Maya city of Uxmal, Mexico. The building has lattice carvings and a rectangular entryway. In the background on the left, the north building of the Nunnery Quadrangle can be seen.

Photograph of the far left portion of the east building of the Nunnery Quadrangle at the ancient Maya city of Uxmal, Mexico. The building has lattice carvings and a rectangular entryway.

Photograph of the Gateway Arch at the Maya archaeological site, Labná, in Mexico. The top-half of the gateway has bas-relief carving designs and a corbelled arch in the center. The structure is also known as the "portal."

Photograph of the Government Palace of the State of Campeche (Palacio de Gobierno del Estado de Campeche) in Campeche, Mexico. This building was built in 1963 in order to replace the old government palace. The building is also known as the "Edificio de los Poderes" which translates to "Powers Building." A mural by artist, José Chávez Morado, is part of the building's façade. The Our Lady of the Immaculate Conception Cathedral (Catedral de Nuestra Señora de la Purísima Concepción) is also visible in the distance.

Interview with Pedro J. González and his wife. The document has the words "Interview with Don Pedro y Esposa" printed at the top of its first page, above a column of text that continues across the fronts of five additional pages. Each paragraph has a heading denoting whether the text block is a question from the interviewer or a response from an interviewee.

Letter from the Asociacion de Locutores de Radio y Similares de la Baja California to Pedro J. Gonzalez. A microphone icon is printed next to a heading and subheadings, below which is date and a wide column of paragraphed text. Below the text column is a second microphone are additional lines of texts that have been handwritten over in blue ink.

Letter from the Asociacion de Locutores de Radio y Similares de la Baja California to Pedro J. Gonzalez. A microphone icon is printed next to multiple lines of red and blue text, below which is a wide column of paragraphed text printed in black. Below the paragraphs is a second microphone icon stamped between two signatures.

Letter from Javier Escobar Córdova to Pedro J. Gonzalez. The text at the top of the page is printed below and to the right of a bird icon. Across the rest of the page is a wide column of paragraphed text that contains a signature over Córdova's name.

Letter from Lorena M. Parlee to Joe Blackstock regarding the film about Pedro J. Gonzalez. "Cinewest" is printed across the top of the paper above an address, phone number, and date. Blackstock's name is printed above the text "Foster & Kleiser," followed by an address and phone number. The message of the letter involves thanking Blackstock for assistance with a film and describing advertising strategies for it. The letter ends with "Sincerely" and Parlee's signature written above her name in printed text.

Letter from Lorena Parlee to Albert C. Zapanta. "Cinewest" is printed across the top of the paper above an address. The message of the letter is printed below a person's name and address and a date. Parlee's signature sits towards the bottom of the letter, above her printed name.

A letter from Pedro J. Gonzalez as the Sociedad de Padres y Maestros president. A long title is printed above a subheading, location, and date, which are positioned above a wide column of paragraphed text. To the left of the paragraphs is a narrower text column while below them is a name and location.

Letter from Pedro J. Gonzalez to Junta Federal Permanente de Conciliacion Numero Uno. A wide column of paragraphed text fills both sides of one paper before continuing onto a second page, ending above a signature. Handwritten words appear on the front of the first page below a stamped mark, near the page's top left corner.

Letter from Pedro J. Gonzalez to the Asociacion de Locutores de Radio y Similares de la Baja California. Both the first and second page have short lines of text printed above a wide column of paragraphed text. The second page's text column continues onto the third page of the letter.