Seated nude woman with shoulder-length light brown hair with a pale yellow wreath of flowers on her head and behind her. Single lithograph pin-up doll cut out estimated to be from the 1940s to early 1950s.

A page from Esquire Magazine featuring front and back Kodachrome photography collages.

A single front and back page from Esquire magazine featuring color Kodachrome photographs of women and descriptive text. This page features American actress Marjorie Woodworth [1919-2000].

A spread from Esquire magazine featuring a brunette Varga Girl wearing a light blue quilted robe with a magnolia tucked in her hair.

A spread from an unidentified magazine featuring printed color photo reproductions of women and lithograph prints of paintings without descriptive text.

A spread from an unidentified magazine featuring printed color photographs of women in fashionable clothes and reproduction lithographs of paintings, without descriptive text.

A page from an unidentified magazine featuring a front and back leaf of women models posed in fashionable clothes and accessories. The front features a Kodachrome collage of a woman standing by a mirror with her reflection turned to face herself wearing a slightly different dress followed by a printed color photograph of a woman with black hair in a blue evening gown posed on a striped couch.

Single pin-up doll cut out from Esquire Magazine.

Page from True Magazine featuring an illustration of a Petty Girl followed by a reproductive print of 3 men and a woman on a white sailboat. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.

Page from True Magazine featuring an illustration of a Petty Girl followed by a reproduction of an Audubon print of the male Wild Turkey, Meleagris gallopavo.Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.

Page from True magazine featuring an illustration of a Petty Girl and a painting of a winter morning scene that is a reference to the printers Currier and Ives. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.

A front and back spread from the December edition of Esquire Magazine 1940. This spread features a color reproduction of a Hurrell photograph of actress Pamela Randall [1918-1991] followed on the reverse by eight card illustrations featuring reproductive etchings by Howard Baer and descriptive text by Phil Stack.

A spread from Esquire magazine featuring an illustration of two Varga Girls representing the United States (the pilgrim) and Spain (the senorita) paired with a two stanza verse "Nice Neighbors" by Phil Stack. On the following side of the spread is a reproduction offset lithograph print of various sports and recreation fashion watercolor illustrations by Robert Goodman for the May edition of 1941.

A spread from Esquire magazine featuring an illustration of a Varga Girl styled as a bride in a wedding dress, veil, and stockings throwing her shoe paired with a two stanza verse "Bouquet for a Bride" by Phil Stack. On the following side of the spread is a reproduction offset lithograph print of men's fashion illustrations by William Pachner featuring hats accompanied by descriptive text for the June edition 1943.

A spread from Esquire magazine featuring an illustration of a redhead Varga Girl flying styled to a card and gambling theme paired with a two stanza verse "Curves are Trumps" by Phil Stack. On the following side of the spread is a reproduction offset lithograph print of sketches and photographs celebrating fathers day clipped from the June edition of Esquire Magazine in 1943.

A spread from Esquire magazine featuring an illustration of a blonde Varga Girl posing holding a pencil and letter paper paired with a two stanza verse "V Mail for a Solider" by Phil Stack. On the following side of the spread is a reproduction offset lithograph print of men's fashion illustrations by William Pachner accompanied by descriptive text.

A front and back spread from the February edition of Esquire Magazine 1942. This spread features a color reproduction of a Hurrell photograph of 1930s actress Billie Seward [1912-1982] followed on the reverse by men's fashion illustrations by William Pachner accompanied by descriptive text.

A front and back spread from the April edition of Esquire Magazine 1942. This spread features a color reproduction of a Hurrell photograph of 1930s actress Peggy Diggins [1921-1957] followed on the reverse by men's fashion illustrations by William Pachner accompanied by descriptive text.

A spread from Esquire magazine featuring an illustration of a Varga Girl in costume as a patriot paired with a two stanza verse "Victory Song" by Phil Stack. On the following side of the spread is a reproduction offset lithograph print of a painting accompanied by descriptive text in the bottom margins especially for the August edition of 1943.

A page from the August edition of Esquire magazine 1942. The front features a print of a color Hurrell photograph of actress Betty Grable [1916-1973]. The backside features a printed reproduction of the Declaration of Independence framed by columns and a painting depicting the continental congress by William Pachner.

A spread from Esquire magazine featuring an illustration of a blonde Varga Girl poses with a guitar paired with a two stanza verse "Song for a Guitar" by Phil Stack. On the following side of the spread is a reproduction offset lithograph print of men's fashion illustrations by William Pachner featuring the color freedom blue accompanied by descriptive text.

A spread from Esquire magazine featuring an illustration of a blonde Varga Girl styled to a western theme paired with the verse "Beauts and Saddles" by Phil Stack. On the following side of the spread is a reproduction offset lithograph print of men's fashion illustrations by William Pachner accompanied by descriptive text.

A spread from the November edition of Esquire magazine 1942. The front features a printed reproduction of a color Hurrell photograph of Columbia studios actress Rita Hayworth [1918-1987] followed by men's fashion illustrations featuring shoes and socks by William Pachner accompanied by descriptive text.

A front and back spread from the December edition of Esquire Magazine 1942. This spread features a color reproduction of a Hurrell photograph of singer and Columbia Studios actress Janet Blair [1921-2007] followed on the reverse by a Santa Varga Girl paired with the verse "Miss Santa Claus" by Phil Stack.