Pedro J. Gonzalez writing to the president José Lopez Portillo about the revolution. The document's first page has handwritten words on its front, above a wide column of paragraphed text that continues onto the page's back, filling the available space. above a wide column of printed text. The text column continues onto the front and back of a second page as well. Black ink has been used to mark out words or handwrite notes between lines of printed text.

Communication from Roberto Fierro Villalobos to Pedro J. Gonzalez regarding the unveiling of the Francisco Villa statue. The communication consists of a paper with uneven edges that has a single column of text printed near its left edge.

Letter to Juana Torres from Pedro J. Gonzalez. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Beneath the date is a wide column of text positioned to the right of a smaller text column and a stamped seal. Two blue lines have been drawn next to a scribble of blue ink above the page's title.

Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. In the top left corner of the page are two icons, the higher of which has the text "Central Popular Revolucionaria" and "Mexico" in its design while the lower icon has "PRI" printed within its shape. Below the icons is a narrow column of text while to their right is the title "Central Popular Revolicionaria" followed by smaller words. The rest of the page is occupied by a wide column of paragraphed text that continues onto the back of the page on across both sides of two additional pages. The third page also has handwriting on its back.

Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. On the page's front is a wide text column printed near the paper's right edge. The back of the page has multiple blocks of text printed and written on top of one another, filling the page with a collage of words.

Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. A column of paragraphed text extends across the front and back of a page, filling the available space. The text on the front of the page is printed close to the paper's right edge while the text on the page's back is centered.

Drafts of a Letter to Ernesto Ensiswo (owner of XEC) from Pedro J. Gonzalez. A large piece of white paper with two paragraphs of text across its front side is followed by five yellow pages covered by cursive handwriting. Most of the pages have annotations on them, including marked out text and words or numbers written in margins.

Letter to José López Portillo, President of Mexico from Pedro J. González. Handwritten words sit at the top of the first page, next to a small block of text in the page's top left corner. The rest of the page is occupied by a wide column of paragraphed text that extends across four pages, filling the available space. Additional handwritten words appear between the lines of printed text.

Speech by Guadalupe Villa for the dedication of a Villa statue. A single wide column of paragraphed text begins below handwritten words and continues across three more pages. Additional text is printed on the backside of the third page,

Letter to Virginia Torres from Pedro J. Gonzalez. A long, arching title is printed above small lines of text printed above and beside a bird icon, below which is a printed date. Below the date is a single wide column of text positioned to the right of a smaller text column that sits above a printed seal. The wide column of text continues onto the back of the letter and ends above a second printed seal and a signature. A few lines of text further down the page include multiple names.

Contract agreement for Pedro J. Gonzalez Autobiography, with Spanish translations. The agreement has six numbered paragraphs followed by concluding statements. Below the statements are signatures from Pedro J. Gonzalez, Isaac Artenstein, and a witness.

Contract agreement for Pedro J. Gonzalez feature script, with Spanish translations. The agreement has six numbered paragraphs followed by concluding statements. Below the statements are signatures from Pedro J. Gonzalez, Isaac Artenstein, and a witness.

Contract agreement for Pedro J. Gonzalez film (Spanish version). The agreement has six sections printed above a concluding statement and signatures from Pedro J. Gonzalez, Lorena M. Parlee, Michael Ornelas, Isaac Artenstein, and a witness.

Contract agreement for Pedro J. Gonzalez film. The agreement has six sections printed above a concluding statement and signatures from Pedro J. Gonzalez, Lorena M. Parlee, Michael Ornelas, Isaac Artenstein, and a witness.

None

Typed speech that Mike Anglin to the Dallas Gay Alliance delivered in March 1981, the night of voting to change the name from Dallas Gay Political Caucus to Dallas Gay Alliance.

Letter from William Waybourn to John Thomas, December 28. The letter is in regards to a holiday gift Thomas has given to Waybourn, including some books and lunch. Waybourn also wishes Thomas a good 1982.

A Dallas Gay Political Caucus list of 1981 events with descriptions.

A flyer for the 1981 Razzle Dazzle in Dallas on June 20.

Information packet from the Dallas Area Civic Action Program created to assist constituents in communicating their views to elected officials. Includes writing tips, a list of Texas Representatives and Senators, and a diagram of the legislative cycle.

Notes from open Dallas Gay Alliance open board on April 27, 1981. Includes documentation of board member's thoughts and tasks.

Notes from Dallas Gay Political Caucus open board on January 26, 1981. Includes a resolution changing the name of the group to the Dallas Gay Alliance and declaring objectives for the board of directors.

Tasks from Dallas Gay Political Caucus' Political Action Committee to the group's board from February 2, 1981.

Notes from Dallas Gay Political Caucus board meeting on February 2, 1981. Includes a budget request for City Council elections.