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An Instrumental Song without Words about Hope: A Melodic Motivic Analysis of the Third Violin Sonata by Charles Ives (1874–1954)
Comparison and Application of Verismo Singing Concepts to Trumpet Performance through Aria Transcription and Emulation
An Introduction to Contemporary Violin Techniques: A Practical Guide with Exercises for Students and Teachers
Seven Nocturnes for Solo Piano: An Original Composition with Critical Essay and Suggestions for the Performer
A Comprehensive Study of Three Compositions for Percussion by Composer Jonathan Leshnoff, "Run" (2003), "…without a chance" (2003), and "Concerto for Two Percussionists and Orchestra" (2011), including a Structural and Aesthetic Analysis
Gabriel Pierné's Sonata in D Minor, op. 36: A Study of the Work's Compositional Language and Context, Focusing on the Composer's Transcription for Flute
François Couperin's Neuvième Concert, "Ritratto Dell' Amore": A Performance Guide and Edition for Flute and Keyboard
Activating Artistry: Community Engagement Resources and Teaching Artist Strategies for the Bassoonist
An Introduction to the Piano Works of William Mason (1829-1908) and a Performance Guide to Selected Repertoire for Intermediate Students
Piano Concerto No. 1 In E Minor, by Emil Sauer: A Stylistic and Historical Argument for Its Relevance to the Piano Literature
A Technical Preparation Guide for the "Dragonetti Concerto" in A Major for Double Bass and Orchestra by Édouard Nanny
Czech Opera Arias: An Anthology for Soprano
A Comparative Analysis of the Orchestral and Piano Versions of Finlandia by Jean Sibelius in Relation to His Compositional Style, 1899–1904
Performing Controlled Indeterminacy in Leo Brouwer's "Sonata Mitología de las Aguas No. I, para Flauta y Guitarra"
The First Movements of Sergei Bortkiewicz's Two Piano Sonatas, Op. 9 and Op. 60: A Comparison including Schenkerian Analysis and an Examination of Classical and Romantic Influences
An Investigation of the Relationships between Memory Strategies, Performance Anxiety, and Memory Lapses among Classical Pianists
Training the Hybrid Singer: Mixed Voice for the Bel Canto and Musical Theatre Singer
The Amalgamation of Western and Eastern Influences in Julius Schloss's "First Chinese Rhapsody"
"Doce Canciones Mexicanas": A Singer's Guide to Manuel M. Ponce's (1882-1948) Romantic Mexican Art Song as Described in His Essay "La Canción Mexicana"
"The Other Half is Mine": Charlotte Moorman as an Architect of the Avant-Garde
The Influence of Adolf von Henselt on Sergei Rachmaninoff: A Comparative Analysis of Henselt's Piano Concerto Op. 16 and Rachmaninoff's Piano Concerto Op. 18
Beethoven's Orchestra at the Romantic Piano: Understanding the Piano Transcriptions of "Marcia alla turca" from Beethoven's The Ruins of Athens by Franz Liszt and Anton Rubinstein
Transcribing from the Baroque Guitar to the Classical Guitar: A Critical Edition of François Campion's (c1685-1747) Sonatina in D Major
Romanticism or Baroque? A Comparative Study of Approaches to the Ciaccona Attributed to Tomaso Antonio Vitali
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