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"Being" a Stickist: A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene
Repetition and Difference: Parodic Narration in Kander and Ebb's "The Scottsboro Boys"
Don Gillis's Symphony No 5½: Music for the People
Le Nuove Musiche: Giovanni Battista Bovicelli?
Singing the Republic: Polychoral Culture at San Marco in Venice (1550-1615)
The Intimacy of Death: Mahler’s Dramatic Narration in Kindertotenlieder
Foreignizing Mahler: Uri Caine’s Mahler Project As Intertraditional Musical Translation
Musical Arrangements and Questions of Genre: A Study of Liszt's Interpretive Approaches
Sensitivity, Inspiration, and Rational Aesthetics: Experiencing Music in the North German Enlightenment
Educating American Audiences: Claire Reis and the Development of Modern Music Institutions, 1912-1930
Allusions and Borrowings in Selected Works by Christopher Rouse: Interpreting Manner, Meaning, and Motive through a Narratological Lens
Use Restricted to the UNT Community.
Opera and Society in Early-Twentieth-Century Argentina: Felipe Boero's El Matrero
Polyphonic Harmony in Three of Ferruccio Busoni’s Orchestral Elegies
The Most Expressionist of All the Arts: Programs, Politics, and Performance in Critical Discourse about Music and Expressionism, c.1918-1923
Patronage, Connoisseurship and Antiquarianism in Georgian England: The Fitzwilliam Music Collection (1763-1815)
Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956)
Criticism of Beethoven's Pastoral Symphony in London and Boston, 1819-1874: A Forum for Public Discussion of Musical Topics
Transatlantic Crossings: Nadia Boulanger and Marion Bauer
It's Not Fusion: Hybridity in the Music of Vijay Iyer and Rudresh Mahanthappa
“Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S
Searching for Songs of the People: The Ideology of the Composers' Collective and Its Musical Implications
Composing Symbolism's Musicality of Language in Fin-de-siècle France
Depicting Affect through Text, Music, and Gesture in Venetian Opera, c. 1640-1658
Shaping Hagiography through Liturgy: Music for the Patron Saints of Three Cathedrals in Medieval Aquitaine
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