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Chopin's Mazurka: A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, F. Busoni, D. Scarlatti, W.A. Mozart, L.V. Beethoven, F. Schubert, F. Chopin, M. Ravel and K. Szymanowski
Music and its Relation to Futurism, Cubism, Dadaism, and Surrealism, 1905 to 1950
The History of the Keyed Brasses
A Study of the Factors Related to Tuba Instruction and Performance
The Saxophone: Its Development and use in the Orchestra
A History of the Clarinet and its Music from 1600 to 1800
An analysis of Brahms' Quintet in B minor, op. 115, for clarinet and strings
Organ Compositions on the Motive B A C H
The Development of the Clarinet as a Solo Instrument During the Eighteenth Century
The Music of Anton Webern
Poems of Love and the Rain, by Ned Rorem
Nineteenth-Century New Orleans Composers
The Unaccompanied Choral Music of Felix Mendelssohn
A Technical and Historical Analysis of Alban Berg's Sonata for Piano, op. 1
The Keyboard Ricercare in the Baroque Era: Volume 1
Three Recitals of Music by German and Danish Composers, J.S. Bach, and Contemporary North American Composers, and a Lecture Recital on the Registration of Orchestral Textures in Organ Music
A Comparison of the Variation Technique Employed by Beethoven and Copland
The Serenades and Divertimenti of Mozart
The Seville Cancionero: Transcription and Commentary
Form and Rhythm in the Moerike Lieder of Hugo Wolf
The Use of the Trumpet in Three Symphonic Poems by Richard Strauss: Don Juan, Till Eulenspiegel's Lustige Streiche, and Ein Heldenleben
The British Museum Manuscript Additional 35087: A Transcription of the French, Italian, and Latin Compositions with Concordance and Commentary
The Evolution of Musical Pitch Standards
Schubert's Grand Sonata in B Flat
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