US Air Force Forward Air Controllers (FACs) bridge the gap between air and land power. They operate in the grey area of the battlefield, serving as an aircrew who flies above the battlefield, spots the enemy, and relays targeting information to control close air support attacks by other faster aircraft. When done well, Air Force FACs are the fulcrum for successful employment of air power in support of ground forces. Unfortunately, FACs in recent times have been shunned by both ground and air forces, their mission complicated by inherent difficulty and danger, as well as by the vicissitudes of defense budgets, technology, leadership, bureaucracy, and doctrine. Eagles Overhead is the first complete historical survey of the US Air Force FAC program from its origins in World War I to the modern battlefield. Matt Dietz examines their role, status, and performance in every US Air Force air campaign from the Marne in 1918, World War II, Korea, Vietnam, Desert Storm, and finally Mosul in 2017. With the remaking of the post-Vietnam US military, and the impact of those changes on FAC, the Air Force began a steady neglect of the FAC mission from Operation Desert Storm, through the force reductions after …

An elite team of reporters brought the Great War home each week to ten million readers of The Saturday Evening Post. As America’s largest circulation magazine, the Post hired the nation’s best-known and best-paid writers to cover World War I. The Weekly War provides a history of the unique record Post storytellers created of World War I, the distinct imprint the Post made on the field of war reporting, and the ways in which Americans witnessed their first world war. The Weekly War includes representative articles from across the span of the conflict, and Chris Dubbs and Carolyn Edy complement these works with essays about the history and significance of the magazine, the war, and the writers. By the start of the Great War, The Saturday Evening Post had become the most successful and influential magazine in the United States, a source of entertainment, instruction, and news, as well as a shared experience. World War I served as a four-year experiment in how to report a modern war. The news-gathering strategies and news-controlling practices developed in this war were largely duplicated in World War II and later wars. Over the course of some thousand articles by some of the most …

During World War II the United States mobilized its industrial assets to become the great “Arsenal of Democracy” through the cooperation of the government and private firms. The Dallas Story examines a specific aviation factory, operated by the North American Aviation (NAA) company in Dallas, Texas. Terrance Furgerson explores the construction and opening of the factory, its operation, its relations with the local community, and the closure of the facility at the end of the war. Prior to the opening of the factory in 1941, the city of Dallas had practically no existing industrial base. Despite this deficiency, the residents quickly learned the craft of manufacturing airplanes, and by the time of the Pearl Harbor attack the NAA factory was mass-producing the AT-6 trainer aircraft. The entry of the United States into the war brought about an enlargement of the NAA factory, and the facility began production of the B-24 Liberator bomber and the famed P-51 Mustang fighter. By the end of the war the Texas division of NAA had manufactured nearly 19,000 airplanes, making it one of the most prolific U.S. factories.

In poems that celebrate survival and renewal, Ernest Hilbert summons the ageless conflict between human affection and the passing of time, recognizing that all we love must eventually disappear. Tender poems of fatherhood weigh against unsettling explorations of natural dangers and intimations of bodily harm. From porn sets to seedy gun ranges and heavy metal tribute nights in crumbling theaters, Hilbert’s eye roves over the desolation and beauty of contemporary America, all the while feeling the irresistible pull of water—what Melville called “the ungraspable phantom of life.”

Despite all that has been written about Vietnam, the story of the 1-A-O conscientious objector, who agreed to put on a uniform and serve in the field without weapons rather than accept alternative service outside the military, has received scarce attention. This joint memoir by two 1-A-O combat medics, James C. Kearney and William H. Clamurro, represents a unique approach to the subject. It is a blend of their personal narratives—with select Vietnam poems by Clamurro—to illustrate noncombatant objection as a unique and relatively unknown form of Vietnam War protest. Both men initially met during training and then served as frontline medics in separate units “outside the wire” in Vietnam. Clamurro was assigned to a tank company in Tay Ninh province next to the Cambodian border, before reassignment to an aid station with the 1st Air Cavalry. Kearney served first as a medic with an artillery battery in the 1st Infantry Division, then as a convoy medic during the Cambodian invasion with the 25th Infantry Division, and finally as a Medevac medic with the 1st Air Cavalry. In this capacity Kearney was seriously wounded during a “hot hoist” in February 1971 and ended up being treated by his friend Clamurro …

Grammy Award–winning pianist, bandleader, and composer Cedar Walton (1934–2013) is a major figure in jazz, associated with a variety of styles from bebop to funk and famous for composing several standards. Born and raised in Dallas, Walton studied music in Denver, where he jammed with musicians such as Charlie Parker and John Coltrane. In 1955, Walton moved to New York, immediately gaining recognition from notable musicians and nightclub proprietors. When Walton returned to the U.S. after serving abroad in the Army, he joined Benny Golson and Art Farmer’s Jazztet. Later, he became both pianist and arranger for Art Blakey’s Jazz Messengers. Next, he worked as part of Prestige Records’s house rhythm section, recording with numerous greats and releasing his own albums. One hallmark of Walton’s impact is his numerous long-term collaborations with giants such as trombonist Curtis Fuller and drummer Billy Higgins. By the end of his career, Walton’s discography, as both band member and bandleader, included many dozens of vaunted recordings with some of the most notable jazz musicians of the 1960s through the first decade of the twenty-first century. Ben Markley conducted more than seventy-five interviews with friends and family members, musicians who played with or were otherwise …

Joe Olexa enlisted in the US Army in December 1940, figuring that if he was going to be in a war, he might as well start training. Assigned to the 1st Infantry Division, nicknamed “The Big Red One,” he served in Company L of its 26th Infantry Regiment for the next four years. Along the way he trained with the division in maneuvers in the United States; shipped to England in 1942; landed at Oran, Algeria, in the Operation Torch landings of November 1942; and fought in Tunisia, Sicily, Normandy, Belgium, and Germany. Olexa was one of the first group of enlistees that brought the division up to full strength in the buildup prior to Pearl Harbor, and was a sergeant by the time he went overseas. He served as a squad leader, platoon sergeant, and acting platoon leader, outlasting nearly all the men in his company. His memoir features accounts of unusual adventures in Tunisia when his battalion was detached from the rest of the division, and presents a detailed and intense account of his platoon’s experiences at El Guettar. Later, Olexa became a “Sea Scout,” going ashore on Sicily the night before the invasion to provide signals to …

Utilizing many sources new to publication, James L. Haley delivers a most readable and enjoyable narrative history of Texas, told through stories—the words and recollections of Texans who actually lived the state’s spectacular history. From Jim Bowie’s and Davy Crockett’s myth-enshrouded stand at the Alamo, to the Mexican-American War, and to Sam Houston’s heroic failed effort to keep Texas in the Union during the Civil War, the transitions in Texas history have often been as painful and tense as the “normal” periods in between. Here, in all of its epic grandeur, is the story of Texas as its own passionate nation.

Keith Johnson retired in 2014 from the University of North Texas, where he was Regents Professor of Trumpet and was honored with the Distinguished Teaching Professor award. Johnson wrote more than thirty articles, two pedagogical texts, and two method books. During his career, he presented masterclasses at universities and conservatories throughout the United States and worldwide. Johnson’s former students hold positions in universities, orchestras, and military ensembles in over a dozen countries. In The Art of Trumpet Teaching, his students describe Johnson’s teaching approach and tireless work to help each person succeed. Along with Johnson’s biography and studio stories, Leigh Anne Hunsaker presents an extensive collection of pedagogical concepts from Johnson’s six decades of teaching. Johnson’s hallmark pedagogical tenets, along with much practical advice given to his UNT students, provide a teaching and reference handbook for a new generation of teachers and players.

After he died, Townes Van Zandt found the success that he sabotaged throughout his short life despite the release of sixteen brilliant albums. Since his death, numerous albums both by and in honor of him have been released and many critical articles published, in addition to several books (including Robert Hardy’s A Deeper Blue by UNT Press). For the Sake of the Song collects ten essays on Townes Van Zandt from a variety of approaches. Contributors examine his legacy; his use of the minor key; his reception in the Austin music scene; and an exploration of his relationship with Richard Dobson, with whom he toured as part of the Hemmer Ridge Mountain Boys. An introduction by editors Ann Norton Holbrook and Dan Beller- McKenna provides an overview of Van Zandt’s literary excellence and philosophical wisdom, rare among even the best songwriters.

Rimsky-Korsakov’s Harmonic Theory is the first comprehensive study of his concept of harmony that also traces the history of tonal relationships. Larisa P. Jackson describes and examines Rimsky-Korsakov’s distinctive harmonic theory using his Practical Manual of Harmony as a basis, and places it in historical context of nineteenth-century music theory. She explores in great detail a concept of tonal relationships, fundamental to Rimsky-Korsakov’s view of harmony, and relates this to ideas by German theorists of the period and the Russian theoretical tradition. Jackson examines the concept of modulation and of the relationship of keys and presents a model of his tonal space/map extrapolated from his harmonic system. She identifies specific treatises that help to trace ties between German theoretical ideas and Rimsky-Korsakov’s work.

America’s Wild West created an untold number of notorious characters, and in southwestern Texas, John King Fisher (1855– 1884) was foremost among them. To friends and foes alike, he insisted he be called “King.” He found a home in the tough sun-beaten Nueces Strip, a lawless land between the Nueces River and the Rio Grande. There he gathered a gang of rustlers around him at his ranch on Pendencia Creek. For a decade King and his gang raided both sides of the Rio Grande, shooting down any who opposed them. Newspapers claimed King killed potential witnesses—he was never convicted of cattle or horse stealing, or murder. King’s reign ended when he was arrested by Texas Ranger Captain Leander McNelly. In no uncertain terms he advised Fisher to change his ways, so King became deputy sheriff of Uvalde County. But his hard-won respectability would not last. On a spring night in 1884, King made the mistake of accompanying the truly notorious gambler and gunfighter Ben Thompson on a tour of San Antonio, where several years prior Thompson shot down Jack Harris at the latter’s saloon and theater, the Vaudeville. Recklessly, King Fisher accompanied Thompson back to the theater, where assassins were …

This anthology collects the nine winners of the 2021 Best American Newspaper Narrative Writing Contest at UNT’s Mayborn Literary Nonfiction Conference. First-place winner: Greg Jaffe and his three-part series on the pandemic, beginning with “The Pandemic Hit and This Car Became Home for a Family of Four” (The Washington Post). Second place: Hannah Dreier with “The Worst- Case Scenario” (The Washington Post). Third place: Leonora LaPeter Anton, Kavitha Surana, and Kathryn Varn with “Death at Freedom Square” (Tampa Bay Times). Runners-up include Rory Linnane, “Maricella’s Last Breath” (Milwaukee Journal Sentinel); Hannah Dreier, “Tatiana’s Luck” (The Washington Post); Deborah Vankin, “This 81-Year-Old was L.A.’s Most Devoted Museum-Goer until COVID-19” (Los Angeles Times); Lauren Caruba, “Night Shift” (San Antonio Express News); Mark Johnson, “Saving Raynah’s Brain” (Milwaukee Journal Sentinel); and John Woodrow Cox, “They Depended on Their Parents for Everything” (The Washington Post).

They Kept Running takes its title from a story about three women running in a national park in the Arizona desert, where they are warned to watch out for mountain lions and the heat, but where the real threat they encounter is men in a jeep. This collection of fifty-seven small stories catalogs the lives of women and girls as they grapple with the hazards of navigating the human world. “In this taut collection of flash fiction, Michelle Ross weaves together fairy tales and horror, beauty and the grotesque, to inhabit the intersections of gender, sexuality, violence, and romantic love. Each story draws the reader into a sharply etched world studded with tension. A seemingly safe domestic life turns, just slightly to reveal its hidden dangers. For the girl and woman characters at the center of this book, the call is often coming from inside the house, and Ross is unafraid to look directly at what lurks on the other end of the line.”—Meagan Cass, author of ActivAmerica and judge

“There are some poets we admire for a mastery that allows them to tell a story, express an epiphany, form a conclusion, all gracefully and even memorably— yet language in some way remains external to them. But there are other poets in whom language seems to arise spontaneously, fulfilling a design in which the poet’s intention feels secondary. Books by these poets we read with a gathering sense of excitement and recognition at the linguistic web being drawn deliberately tighter around a nucleus of human experience that is both familiar and completely new, until at last it seems no phrase is misplaced and no word lacks its resonance with what has come before. Such a book is Austin Segrest’s Door to Remain.”— Karl Kirchwey, author of Poems of Rome and judge

“There are some poets we admire for a mastery that allows them to tell a story, express an epiphany, form a conclusion, all gracefully and even memorably— yet language in some way remains external to them. But there are other poets in whom language seems to arise spontaneously, fulfilling a design in which the poet’s intention feels secondary. Books by these poets we read with a gathering sense of excitement and recognition at the linguistic web being drawn deliberately tighter around a nucleus of human experience that is both familiar and completely new, until at last it seems no phrase is misplaced and no word lacks its resonance with what has come before. Such a book is Austin Segrest’s Door to Remain.”— Karl Kirchwey, author of Poems of Rome and judge

Identified with Texas is the first published biography of Texas Governor Elisha Marshall Pease (1812-1883), presented by historian Elizabeth Whitlow as a dual biography of Pease and his wife, Lucadia Niles Pease (1813-1905). Pease volunteered to fight in the first battle of the Revolution at Gonzales, and he served with the Texan Army at the Siege of Bexar. Pease served in the first three state legislatures after Texas joined the Union in 1845, was elected governor in 1853 and re-elected in 1855, and returned to the governorship as an interim appointee from 1867 to 1869 during Reconstruction. His achievements in all these positions were substantial. Lucadia Niles Pease was known as the Governor’s “Lady.” Moreover, her early, independent travel and her stated position as a “woman’s rights woman” in the 1850s, as well as her support for sending a daughter away to college in the 1870s to earn a degree, all serve as markers of her intelligence and the strength of her convictions. To tell their story, Whitlow mined thousands of letters and papers saved by the Pease family and housed in the Austin History Center of the Austin Public Library, as well as in the Governor’s Papers at the …

In the annals of American western history, few people have left behind such lasting and far-reaching fame as Billy the Kid. Some have suggested that his legend began with his death at the end of Pat Garrett’s revolver on the night of July 14, 1881, in Fort Sumner. Others believe that the legend began with his unforgettable jailbreak in Lincoln, New Mexico, several months prior on April 28, 1881. Others still insist his legend began with the publication in 1926 of Walter Noble Burns’s book, The Saga of Billy the Kid. James B. Mills has left no stone unturned in his twenty-year quest to tell the complete story of Billy the Kid. He explores the Kid’s disputable origins, his family’s migration from New York into the Southwest, and how he became an orphan, as well as his involvement in the Lincoln County War, his outlaw exploits, and his dealings with Governor Lew Wallace. Mills illuminates the Kid’s relationships with his enemies, lovers, and numerous friends to contextualize the man’s character beyond his death and legacy. Most importantly, Mills is the first historian to fully detail the Kid’s relations with New Mexicans of Spanish descent. So, the question remains, who really …

The eight stories of speculative fiction in There Is Only Us explore themes of loneliness, connectedness, and selfhood. Each one is an act of intimacy—an altered world shown through the lens of a close relationship. Brothers, sisters, lovers, mothers, and daughters come together in myriad constellations, often so that one character can make a body-altering choice of extreme proportions. In a variety of forms—from a satirical retelling of Noah’s Ark to a sister drama revolving around naked mole rats—There Is Only Us presents a series of escalating scenarios, intimate and yet absurd, that ask, how much can you change and still be you? Ballering’s stories bring to speculative fiction a new lightness and absurdity and a commitment to contemporary experiences of loneliness, especially among Millennials: loneliness during the COVID-19 pandemic, ecological loneliness (the sense that, by the end of our lives, the earth will be barren), and the unsolvable loneliness that so many experience despite carrying around a tiny device that claims it can connect them to any human anywhere on earth.

Although in 2000 he became the first sideman inducted into the Rock & Roll Hall of Fame, “King Curtis” Ousley never lived to accept his award. Tragically, he was murdered outside his New York City home in 1971. At that moment, thirty-seven-year-old King Curtis was widely regarded as the greatest R & B saxophone player of all time. He also may have been the most prolific, having recorded with well over two hundred artists during an eighteen-year span. Soul Serenade is the definitive biography of one of the most influential musicians of the 50s, 60s, and early 70s. Timothy R. Hoover chronicles King Curtis’s meteoric rise from a humble Texas farm to the recording studios of Memphis, Muscle Shoals, and New York City as well as to some of the world’s greatest music stages, including the Apollo Theatre, Fillmore West, and Montreux Jazz Festival. Curtis’s “chicken-scratch” solos on the Coasters’ Yakety Yak changed the role of the saxophone in rock & roll forever. His band opened for the Beatles at their famous Shea Stadium concert in 1965. He also backed his “little sister” and close friend Aretha Franklin on nearly all of her tours and Atlantic Records productions from 1967 …

Our Stories: Black Families in Early Dallas enlarges upon two pubLications by the late Dr. Mamie McKnight’s organization, Black Dallas Remembered—First African American Families of Dallas (1987) and African American Families and Settlements of Dallas (1990). Our Stories is the history of Black citizens of Dallas going about their lives in freedom, as described by the late Eva Partee McMillan: “The ex-slaves purchased land, built homes, raised their children, erected their educational and religious facilities, educated their children, and profited from their labor. “ Our Stories brings together memoirs from many of Dallas’s earliest Black families, as handed down over the generations to their twentieth-century descendants. The period covered begins in the 1850s and goes through the 1930s. Included are detailed descriptions of more than thirty early Dallas communities formed by free African Americans, along with the histories of fifty-seven early Black families, and brief biographies of many of the early leaders of these Black communities. The stories reveal hardships endured and struggles overcome, but the storytellers focus on the triumphs over adversity and the successes achieved against the odds. The histories include the founding of churches, schools, newspapers, hospitals, grocery stores, businesses, and other institutions established to nourish and …

On a cold, windy December night in 1926, hell was unleashed on a tenant farm near Farwell, the last Texas town before the New Mexico border. Prone to the bottle and fits of rage, the burly man with the smiling blue eyes was in no mood to quarrel with his third wife over his bootleg whisky and sexual abuse of his stepdaughter. He went from room to room in the house, killing his wife and each child with primitive cutting tools and his bare hands. By the time he concluded his bloody work, he had taken the lives of nine family members ranging in age from 2 to 41, committing what one local reporter called “the blackest crime” in the history of the West Texas Panhandle. Husband, father, uncle, embezzler, serial mass murderer, philanderer, child molester, convict, and military deserter, George Jefferson Hassell was many things to many people, most of them bad. His pattern of familicide crime had begun in 1917, when he slaughtered his common-law wife and her three kids in Whittier, California. Later, in Texas, he married his brother’s wife and became stepfather to her eight children. Using Hassell’s confessions and his many interviews with reporters as …

This collection’s title-as in tether, strike, eyelash, welt-is a nod to the fluidity of language and the foolish penchant we have for naming things, including ourselves. The poems refuse to navigate, choosing instead to face head-on the snares of gender, patriarchy, and parenting. In the closing environmental poems of farewell, the speaker regains communion with nature through the aging body.

Much of the history written about the Vietnam War overlooks the U.S. Marine Corps Combined Action Platoons. These CAPs lived in the Vietnamese villages, with the difficult and dangerous mission of defending the villages from both the National Liberation Front guerrillas and the soldiers of the North Vietnamese Army. The CAPs also worked to improve living conditions by helping the people with projects, such as building schools, bridges, and irrigation systems for their fields. In War in the Villages, Ted Easterling examines how well the CAPs performed as a counterinsurgency method, how the Marines adjusted to life in the Vietnamese villages, and how they worked to accomplish their mission. The CAPs generally performed their counterinsurgency role well, but they were hampered by factors beyond their control. Most important was the conflict between the Army and the Marine Corps over an appropriate strategy for the Vietnam War, along with weakness of the government of the Republic of South Vietnam and the strategic and the tactical ability of the North Vietnamese Army. War in the Villages helps to explain how and why this potential was realized and squandered. Marines who served in the CAPs served honorably in difficult circumstances. Most of these …