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Analysis of Roger-ducasse’s Pastorale Pour Orgue
The Choral Music of Ola Gjeilo: a New Vision of the Choral Instrument in the 21St Century
The Collective Pedagogy Utilized By the Trombone Instructors at the Rotterdam Conservatory of the Netherlands
Establishing Editorial Principles to Create a Performance Edition of Selections From Appunti Op 210 By Mario Castelnuovo-tedesco
Go-hyang (Ancestral Home) By David Burge: a Performer’s Guide to Integrating Korean Musical and Cultural Aspects
The Natural Learning Process and Its Implications for Trombone Pedagogy
Never Odd Or Even: Using Temporal Structures In Composing Music For Dance
Ocean of Forms: for Soprano and Computer
Overview and Introduction to the Organ Music of Alsatian-american Composer René Louis Becker (1882-1956)
Reviewing Commercial Music Resources: a Guide for Aspiring Singers and Vocal Professionals
Sun (1966): Eight Poems in One Movement for Solo Voice and Orchestra By Ned Rorem: Background, Analysis, and Performance Guide
Uniting Commedia Dell’arte Traditions with the Spieltenor Repertoire
Claude Bolling’s Toot Suite for Trumpet and Jazz Piano: a Performance Guide
Conductor Awareness of, Knowledge of, and Attitude Toward Sound Intensity Levels Generated During Ensemble-based Instructional Activities in College-level Schools of Music
Correcting the Record: a Comparison of Vladimir Ashkenazy’s Urtext-based Edition of Pictures at an Exhibition with Orchestration By Ravel and Stokowski
The Effect of Three Compositional Structures on the Compositional and Instructional Self-efficacy of Pre-service Music Teachers
From Ritual to Art in the Puritan Music of Colonial New England: the Anthems of William Billings
Goethe Settings By Johann Friedrich Reichardt and Carl Friedrich Zelter: Text, Music and Performance Possibilities
The Impact of the Development of the Fortepiano on the Repertoire Composed for It From 1760–1860
Jacques Ibert: an Analytical Study of Three Movements From Histoires
Johann Nepomuk Hummel’s Transcriptions of Beethoven´s Symphony No 2, Op 36: a Comparison of the Solo Piano and the Piano Quartet Versions
José Antonio Gómez´s Versos Para Órgano (Section I): a Practical Guide for Performance
Korean Traditional Elements and Contemporary Compositional Techniques in Hyowon Woo’s Choral Music As Reflected in Gloria
Lind, James Meyer the Trumpet Concertos of Anthony Plog: a Performer’s Guide
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