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Stylistic Elements within the Texture and Formal Structure of Ernst von Dohnányi's Four Rhapsodies, op. 11
The Vocal Pedagogy of Frederic Woodman Root
The Influence of Japanese Composers on the Development of the Repertoire for the Saxophone and the Significance of the Fuzzy Bird Sonata by Takashi Yoshimatsu
A study of the Violin Concerto in D Minor by Ralph Vaughan Williams
X, An Analytical Approach to John Chowning's Phoné
"Being" a Stickist: A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene
Fractus I for Trumpet in C and Electronic Sound: A Critical Examination of the Compositional Process
A Performance Guide for Pearls I and Pearls II by Roland Szentpali
The Instrumental Music of Ida Gotkovsky: Finding Intertextual Meaning
An Analysis of the Pedagogical Advantages Relating to Combined Study of Euphonium and Trombone through the Use of Specific Repertoire
Non-Linear and Multi-Linear Time in Beethoven's Opus 127: An Analytical Study of the "Krakow" Sketch Materials
The Avatar by Steve Rouse: A Performance Practice Guide
Paul Hindemith's Septet (1948): A Look Back to Neue Sachlichkeit
The Works for Clarinet Commissioned by the Concours International d'Exécution Musicale de Genève: A Critical Survey and Performance Guide
"The Wider View": Engaging a New Generation of Singers through African-American Art Song
The Cimbasso and Tuba in the Operatic Works of Giuseppe Verdi: A Pedagogical and Aesthetic Comparison
Antonín Dvořák’s Piano Concerto in G Minor, Opus 33: A Discussion of Musical Intent and Pianistic Effectiveness in Vilém Kurz's Version of the Solo Piano Part
Rebecca Clarke: A Viola Duo Transcription of the Prelude, Allegro, and Pastorale
Aesthetic and Technical Analysis on Soar!
Polystylistic Features of Schnittke's Cello Sonata (1978)
The Keyboard Music of Peter Philips
A Trumpeter's Guide to Samuel Barber's Capricorn Concerto
Le Nuove Musiche: Giovanni Battista Bovicelli?
Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study
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