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Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition
Primary Compositional Characteristics in the Instrumental Music of Paul Lansky as Demonstrated in Hop (1993)
Singing the Republic: Polychoral Culture at San Marco in Venice (1550-1615)
The Key to Unlocking the Secret Window
Combining of Korean Traditional Performance and Recent German Techniques in Isang Yun's Kontraste: Zwei Stücke für Violine Solo (1987)
Hugo Wolf's Interpretation of Paul Heyse's Texts: An Examination of Selected Songs from the Italienisches Liederbuch
Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements
Performance Practice of Interactive Music for Clarinet and Computer with an Examination of Five Works by American Composers
From Outward Appearance to Inner Reality: A Reading of Aaron Copland's Inscape
Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'
Prolongation in Post-Tonal Music: A Survey of Analytical Techniques and Theoretical Concepts with an Analysis of Alban Berg's Op. 2, No. 4, Warm Die Lüfte
Alberto Ginastera and the Guitar Chord: An Analytical Study
161 Glass: Site Specific Music in an Artistic Context
The Legacy of Theodore Leschetizky as Seen through His Pedagogical Repertoire and Teaching Style
Ida Gotkovsky's Eolienne Pour Flute et Harpe in Theory and Practice: A Critical Analysis
Native American Elements in Piano Repertoire by the Indianist and Present-Day Native American Composers
A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90
Musical Arrangements and Questions of Genre: A Study of Liszt's Interpretive Approaches
A Comparative Analysis of the 1915 and 1919 Versions of Symphony No. 5 in E-flat Major, op. 82 by Jean Sibelius
The Khan Variations for Solo Marimba by Alejandro Viñao: Musical Analysis and Performance Practice
A Performer's Analysis of Dominick Argento's Miss Havisham's Wedding Night
The Creation of a Performance Edition of the Georg Christoph Wagenseil Concerto for Trombone with Attention Given to the Surviving Manuscripts and Primary Sources of Performance Practice from the Middle of the Eighteenth Century
Using Web-Based Instruction to Teach Music Theory in the Piano Studio: Defining, Designing, and Implementing an Integrative Approach
This Creature, Bride of Christ
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