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1992
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Harmonic and Contrapuntal Techniques in the Late Keyboard Works of Cesar Franck
Jindrich Feld's Introduzione, Toccata E Fuga Per Flauto Solo With Three Recitals of Selected Works of J.S. Bach, Mozart, Messiaen, Berio, Martinu, Persichetti, and Others
Stability of Secondary String Teachers' Rehearsal Behavior
The Musica Practica of Bartolomeo Ramos de Pareia: A Critical Translation and Commentary
Twentieth-Century Works for Textless Voice and Various Woodwinds with Three Recitals of Selected Works of Stamitz, Roussel, Albinoni, Weber, Milhaud, and Others
Guilielmus Revealed: the Coherence, Dating, and Authorship of "De Preceptis Artis Musice"
Paul Hindemith and Neue Sachlichkeit: Zeitoper in the Weimar Republic
Canonic Variations for Percussion and Orchestra
Beneath the Dancing Moon: A Composition for Woodwind and Percussion Ensemble
Ode to the Ninth: the Poetic and Musical Tradition Behind the Finale of Beethoven's Choral Symphony
Explorations: a Composition for Eighteen-Piece Jazz Ensemble
The Christmas Cantatas of Christoph Graupner (1683-1760): Volume 2
Parallels in the Development of Electronic and Percussion Music and an Examination of Performance Problems in Lejaren Hiller's Machine Music for Piano, Percussion and Two-Channel Tape Recorder with Three Recitals of Selected Works of Rolnick, Kessner, Xenakis, Winsor, Niimi, and Others
Structure and Form in Two Late Works for Flute and Orchestra by Ernest Bloch (1880-1959): Suite Modale (1956) and Two Last Poems (Maybe. . .) (1958) -- a Lecture Recital, Together With Three Recitals of Selected Works of J.S. Bach, Jolivet, Mozart,and Others
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