Little is known about the current state of multicultural training within sport psychology master's programs. The study explored students' perceptions of their multicultural training and program climate. Importantly, differences in perceptions were investigated based on students' demographic factors, given that students with marginalized identities tend to report less favorable perceptions of and experiences in graduate training. Participants (N = 107) consisted of students and recent graduates of master's level sport psychology programs. Participants reported moderate levels of feeling safe, valued, and comfortable within their master's program, low to moderate levels of multicultural training integration within their curriculum and supervision, and low to moderate satisfaction with their multicultural training. Asian, Asian American, bi/multiracial, Black, African American, Hispanic, and Latino/a/e students, compared to their White peers, reported less satisfaction with their multicultural training, felt less safe, comfortable, and valued within their programs, and perceived less integration of multiculturalism into curriculum and supervision. A multiple regression analysis revealed that, for all students, perceptions of multicultural training integration and reports of feeling safe, comfortable, and valued was significantly related to students' satisfaction with their multicultural training. Discussion focuses on possible explanations for these findings, training implications, and future research directions.

Wonju Lee (b. 1979) has already made her own unique contribution to Korean art song. Her songs commissioned by classical Korean music performers have been recorded and released on record labels such as Universal Music and Sony Music. Albums include the Gagok collection, Lee Hwa-woo, The Pear Blossom Falls published by Soo Moon Dang. Some songs have been published by music publishers in the United States such as Classical Vocal Reprints and in Korea by the Korean Traditional Music Resource Center. Wonju Lee's songs are being performed by singers not only in Korea but also in the United States. This study provides information regarding the history of Gagok (Korean art songs) and discusses two duets "Scent of Ink" and "Under the Cherry Tree," and three solo songs "Sam-Arirang," "Relationship," and "Loom Song" by Wonju Lee. This critical essay includes biographical information about the composer and poets, IPA transcriptions for each song, and both word-for-word and poetic translations. In addition, using the methodology from Carol Kimball's book Song: A Guide to Art Song Style and Literature, style sheets of musical characteristics for each song and for the composer are provided and serve as the basis for interpretive recommendations for performers.