The problem of this investigation is the combining of the spatial concepts of Paul Cezanne and the Analytical Cubists in a single painting.

This study investigates the adaptability of plastic paints to photographic silk screen materials and methods. The problem was to experiment with and further develop another technique for the artist, the silk screening of photographic images directly onto the painting surface with acrylic polymer paint.

This paper is to present a study of ultrastructured elements of the microcosm as a stimulus for painting.

This paper is to present a student interior design laboratory manual for Perspective Drawing 134. A mechanical and freehand approach to the grid method of perspective is used. Chapter I reviews the significance of the problem, definitions of terms of perspective, data sources and method of procedure. Chanter II explains a brief overview of perspective from primitive man to its present use in interior design. Chapter III reviews the general principles of perspective. Chapter IV presents the grid method to one-point and two-point perspective, both mechanical and freehand approaches. Included are step by step illustrations and explanations of the method. Chapter V summarizes the intent of this study.

The topographical landscapes of Miss Schell represent diversity in subject matter and media that includes oil, watercolor, and lithograph pencil scenes of Canada, New England, and Pennsylvania. Documentation used in the research included interviews and correspondence with her friends and students; photographs and slides of her paintings and drawings; exhibition lists of her works; and writings of her art ideals. This data formed five chapters of the thesis. The Introduction is a research overview; the second is her biography; the third analyzes three landscapes; the fourth compares her landscapes with eight contemporaries; and, the fifth states a conclusion of her importance as an art educator who transmitted Robert Henri's philosophies. A catalogue also is included,

In selecting a thesis project, my interest and experience with fibre-tip pen drawings suggested that further investigations would be profitable. Fibre-tip pens provide a fast and convenient means to draw under outdoor conditions. The pens make dense black and consistent lines at whatever speed they are moved. The ink supply is automatic; not requiring a separate container for dipping and not requiring cleaning. Fibre-tip pens designed to make lines of different widths are commercially available at low cost.

This study is concerned with an analysis of twenty paintings by Western European artists from the thirty-five-item segment of the Anthony Denney Collection on permanent loan to the Dallas Museum of Fine Arts. The paintings were considered separately in a two phase visual and verbal analysis accompanied by visual diagrams. Phase one described the primary visual qualities of each painting through examination of the art elements and principles. Phase two was a verbal description of each painting. The purpose of this investigation is to provide an analysis format suitable for abstract and non-objective works of art.

The problem was to investigate illusionary space as affected by dark surfaces using the elliptical and spherical shapes from previous work. I explored the potential of visual tension, movement, pattern, and various degrees of space on surfaces of opposite tonalities from those previously used. An investigation of space on dark surfaces was undertaken and ten works completed.

The purpose of this study is to examine the development of a series of paintings and drawings confined to the subject of trains and the derailings of trains. This creative project includes a descriptive study which documents the development as it occurs in the series. The written material is utilized with regard to its relevance in uncovering pertinent conditions and events that contributed to the drawing and painting processes during the execution of the series.