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An Analytical Study of Paradox and Structural Dualism in the Music of Ludwig van Beethoven
Sing Rāga, Embody Bhāva: The Way of Being Rasa
Allusions and Borrowings in Selected Works by Christopher Rouse: Interpreting Manner, Meaning, and Motive through a Narratological Lens
Use Restricted to the UNT Community.
Two-Dimensional Sonata Form as Methodology: Understanding Sonata-Variation Hybrids through a Two-Dimensional Lens
Multidimensional Musical Objects in Mahler's Seventh Symphony
Musical and Dramatic Functions of Loops and Loop Breakers in Philip Glass's Opera The Voyage
The Early Songs (1880–1885) of Claude Debussy: An Analytical Approach to Defining a Repertoire
A 'Bohemian' Premiere? Smetana's "The Bartered Bride" and National Identity in 1909 New York
Bridging the Fantastical Gap: Dread and the Uncanny in the Score of "It Follows"
The Phenomenology of Harmonic Progression
Change, Longing, and Frustration in Djent-Style Progressive Metal
On the Precipice: Examining Generic Convention and Innovation in Thermidorian Opera through "Sapho" (1794)
Developing Ogolevets's Doubly Augmented Prime: Semitonal Voice Leading in the Music of Shostakovich
Theorizing Sonata Form from the Margins: The Keyboard Sonata in Eighteenth-Century Spain
Ideal Hausmusik: Brahms's Vocal Quartets (opp. 31, 52, 64, 65, 92, 103, and 112) and the Politics of Domestic Music ca. 1848-1900
A Study of Large-Scale Auxiliary Cadence Types in Songs of Schubert, Brahms and Berg
Searching for Songs of the People: The Ideology of the Composers' Collective and Its Musical Implications
Depicting Affect through Text, Music, and Gesture in Venetian Opera, c. 1640-1658
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