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William Duckworth's "Southern Harmony": A Comprehensive Exploration into the Synthesis of Two Archetypal American Genres
A Pedagogical Analysis of Zhao Zhang's "Pi Huang": Representing Peking Opera on the Piano
Two Flute Works by Chen Yi and Their Musical Integration of Western and Chinese Cultures and Styles
An Analysis of Federico Alvarez del Toro's Marimba Concerto "El Espiritu de la Tierra"
A Lost Jewel of Romanticism: Pedagogical Guide of Robert Kahn's Sonata No. 1 for Violin and Piano (1886)
12 Études Caractéristiques, Opus 2, by Adolf von Henselt: A Pedagogical Guide with Practical Exercises on Selected Etudes
Musique Concrète Instrumentale in Helmut Lachenmann's "Child's Play" (1980): A Pedagogical Study for Late Intermediate Students
Expansion of Pianism through a Reinterpretation of Bartók's Dance Suite for Solo Piano (1925)
Lowell Liebermann's "Four Etudes on Songs of Brahms," Op. 88 (2004) and "Four Etudes on Songs of Robert Franz," Op. 91 (2005): A Pedagogical Guide
A Schenkerian Analysis and Interpretation of Joseph Jongen's Eclectic "Vingt-quatre petits préludes dans tous les tons pour piano," Op. 116 (1940-1941)
Positioning a Composer's Voice: Embodied Inquiry, Musical Analysis, and Educational Guides on Four Choral Works by Dr. Zanaida Stewart Robles
Antonio María Valencia's "Dúo en forma de sonata": An International Approach to Colombian National Music
"Seven Songs to Poems of James Joyce," op. 54 (1926) by Karol Szymaowski: A Historical Musicology Analysis and Performance Guide
The Ideal of Moral Cosmopolitanism and Human Rights in Edward Manukyan's "A World Without War"
Brazilian Adaptations of Baroque and Classical Elements in the Piano Sonata in F Minor, Op. 9, by Alberto Nepomuceno (1864–1920)
Blurring the Boundaries of Chinese and Western Musical Language: A Harmonic and Form Analysis of Chen Qigang's "La joie de la souffrance" (2017) in Reference to the Compositional Influence of Olivier Messiaen
On Wings of Song: Exploring the First-Generation Chinese Art Song Composer Ellinor Valesby (1894-1969)
A Performance Guide for Five Mezzo-Soprano Arias from Chinese Operas
Interpretation of "No-Re I" (2018) for Flute Solo by Gyu-Bong Yi: An Analytical Study of Korean and Western Fusion with Performance Suggestions about Extended Techniques
A Performance Guide to Gervais-François Couperin's Offertoires
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