No one has investigated in detail the totality of Anglo-Russian relations from the Anglo-Russian Convention of 1907 to the outbreak of World War I. Those who have written on the history of the Triple Entente have tended to claim that France was the dominant partner and that her efforts pulled Great Britain and Russia together and kept them together. Britain and Russia had little in common, the standard argument asserts; their ideological and political views were almost diametrically opposed, and furthermore,they had major imperial conflicts. This dissertation tests two hypotheses. The first is that Russia and Britain were drawn together less from French efforts than from a mutual reaction to German policy. The second is that there was less political and ideological friction between Britain and Russia than previous writers have assumed. The first hypothesis has been supported in previous writings only tangentially, while the second has not been tested for the period under review. Studies of the period have been detailed studies on specific events and crises, while this investigation reviews the course of the Anglo-Russian partnership for the entire seven year period. The dissertation concludes that it was primarily the need for allies in the face of German …

The Communist Party's control of Soviet literature gradually evolved from the 1920s and reached its height in the 1940s. The amount of control exerted over Soviet literature reflected the strengthening power of the Communist Party. Sources used in this thesis include speeches, articles, and resolutions of leaders in the Communist Party, novels produced by Soviet authors from the 1920s through the 1940s, and analyses of leading critics of Soviet literature and Soviet history. The thesis is structured around the political and literary developments during the periods of 1917-1924, 1924-1932, 1932-1941, and 1946-1949. The conclusion is that the Communist Party seized control of Soviet literature to disseminate Party policy, minimize dissent, and produce propaganda, not to provide an outlet for creative talent.

This study examines the nature and patterns of Soviet cultural activities in Egypt and Syria, the motivations behind those activities, and the contribution of the Soviet cultural effort toward the attainment of overall Soviet Middle East policies. Chapter I provides background information on Soviet-Arab relations, and in Chapter II Soviet objectives in the Middle East are examined. Chapter III identifies the important components of the Soviet cultural instrument in Egypt and Syria. Chapter IV assesses the contribution made by the cultural tool toward the attainment of Soviet objectives in Egypt and Syria. Finally, Chapter V demonstrates that the Soviet cultural enterprise exerted little impact on overall Soviet policy in the Middle East.

A comparative content analysis was conducted to determine whether the Russian (ITAR-TASS) and the American (UPI) wire service coverage of President Boris Yeltsin in the April 25, 1993, referendum was balanced and unbiased. Also, the amount of space dedicated to this topic was measured. Study results indicate that ITAR-TASS was more critical of Yeltsin prior to the referendum than UPI, and that there was no statistically important difference between the two wire services in their post referendum coverage. UPI articles were almost 30% longer than the ITAR-TASS articles. Each UPI article was on an average more than 220 words longer than were the ITAR-TASS articles.

This paper presents a brief history of the alto flute and discusses its use in the orchestral literature of European, Russian and American composers. Analysis of selected passage from various works determine its use as either a solo instrument, doubling or reinforcing voice, or as part of an accompanying line.

This study seeks to explore the role of peasant women in resistance to the antireligious campaigns during collectivization and analyze how the interplay of the state and resistors formed a new culture of religion in the countryside. I argue that while the state’s succeeded in controlling most of the public sphere, peasant women, engaging in subversive activities and exploiting the state’s ideology, succeeded in preserving a strong peasant adherence to religion prior to World War II. It was peasant women’s determination and adaptation that thwarted the party’s goal of nation-wide atheism.

This paper analyzes the piano compositions of Sergei Prokofieff and identifies four elements evident in the literature: classicism, innovation, toccata, and lyricism. Elisabeth Euwer Roberts traces the history of his works and the evidence of these elements in them.