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American Choral Music in Late 19th Century New Haven: The Gounod and New Haven Oratorio Societies
Jindrich Feld's Introduzione, Toccata E Fuga Per Flauto Solo With Three Recitals of Selected Works of J.S. Bach, Mozart, Messiaen, Berio, Martinu, Persichetti, and Others
Parallels in the Development of Electronic and Percussion Music and an Examination of Performance Problems in Lejaren Hiller's Machine Music for Piano, Percussion and Two-Channel Tape Recorder with Three Recitals of Selected Works of Rolnick, Kessner, Xenakis, Winsor, Niimi, and Others
Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice
The Influence of the Tongue on Vocal Production
Artistic Expression in Music and Poetry
Miles Davis: The Road to Modal Jazz
The Influence of Jazz on French Solo Trombone Repertory
Solo Trombone Performances at the Gewandhaus in the Nineteenth Century: a Lecture Recital, Together with Three Recitals of Selected Works of G. Jacobs, S. Sulek, E. Bloch, C. Wagenseil, W. Ross, G. Pergolesi, T. George, F. Hidas, J. Albrechtsberger and Others
Evolution of the Role of the Solo Trombone in the Nineteenth and Twentieth Centuries: A Lecture Recital Together with Three Recitals of Selected Works of Frescobaldi, White, Druckman, Jones, Blaecher, Ott, and Others
An Investigation of Textural Activity and Its Hierarchical Structures in Selected Works by Krzysztof Penderecki
Stravinsky and the Transcriptional Process: an Analytical and Historical Study of Petrouchka
How to Practice in an Efficient Way
Compositional approaches within new media paradigms
Background, Compositional Style, and Performance Considerations in the Clarinet Works of David Baker: Clarinet Sonata and Heritage: A Tribute to Great Clarinetists
Transient Delete: Original Composition with a Critical Examination of the Compositional Process and a Survey of Digital Technology in Opera
Boulez's Sonatine and the Genesis of His Twelve-tone Practice
Structure and Form in Two Late Works for Flute and Orchestra by Ernest Bloch (1880-1959): Suite Modale (1956) and Two Last Poems (Maybe. . .) (1958) -- a Lecture Recital, Together With Three Recitals of Selected Works of J.S. Bach, Jolivet, Mozart,and Others
Jean Millet's L'Art de bien Chanter (1666): a Translation and Study
Italian Influences in the Corellisirende Sonaten of Telemann
A Mexican Postmodernist Vision Grounded on Structuralism: The Cases of Juan Trigos' Cuarteto Da Do (1988) and Victor Rasgado's Rayo Nocturnal (1989)
The Warp and Weft of Fabric: A Composition for Strings
The Wanderer
A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90
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