The Communist Party's control of Soviet literature gradually evolved from the 1920s and reached its height in the 1940s. The amount of control exerted over Soviet literature reflected the strengthening power of the Communist Party. Sources used in this thesis include speeches, articles, and resolutions of leaders in the Communist Party, novels produced by Soviet authors from the 1920s through the 1940s, and analyses of leading critics of Soviet literature and Soviet history. The thesis is structured around the political and literary developments during the periods of 1917-1924, 1924-1932, 1932-1941, and 1946-1949. The conclusion is that the Communist Party seized control of Soviet literature to disseminate Party policy, minimize dissent, and produce propaganda, not to provide an outlet for creative talent.

This study seeks to explore the role of peasant women in resistance to the antireligious campaigns during collectivization and analyze how the interplay of the state and resistors formed a new culture of religion in the countryside. I argue that while the state’s succeeded in controlling most of the public sphere, peasant women, engaging in subversive activities and exploiting the state’s ideology, succeeded in preserving a strong peasant adherence to religion prior to World War II. It was peasant women’s determination and adaptation that thwarted the party’s goal of nation-wide atheism.