The problem contained in this study was Stendhal's use of the Napoleonic myth in his novel The Red and the Black. This study dealt primarily with Stendhal's purpose in using the myth as a basis for his novel and with the extent to which the principal character, Julien Sorel, patterned himself after the myth.

Unable to rationalize man's interpretation of God, Clemens took a different view of Satan. He wrote four minor pieces that illustrate his attitudes toward Satan. He began to act as a pen for the narrator, Satan. Clemens allowed his Satanic characters freedoms that he would not allow other characters, and opinions that he restrained from writing as his own. But an older Clemens tossed convention aside as he assumed Satan's identity and wrote imaginative and unrestrained ideas on God, Satan and man.

This thesis is concerned first with, establishing an appropriate vacancy into which an individual critical method might fit, and second, with defending that method.

This paper is a study of the effect of W. B. Yeats's contact with Japanese Noh drama on his work. The immediately discernible effect on his work can be seen, of course, in his adaptation of Noh dramatic form to his Four Plays for Dancers and The Death of Cuchulain. It is the thesis of this paper, then, that, despite many handicaps, Yeats's aesthetic background was not only sufficient to discover what suggestion did lie in the limited information available to him concerning Noh, but also sufficient for him to intuit much of what wasn't suggested.

This thesis is concerned with establishing the basis for evaluating John Donne's sermon literature as a thematic whole. In order to demonstrate this thematic unity and continuity, this study shows how Donne employes several bodies of imagery which reflect his double vision of man and sin and provide the basis for discussing the basic dualities in the bulk of Donne's 160 extant sermons.

The thesis presents Mark Twain's 1601 in the form of a new edition comprising a critical analysis, a photographic copy of the only authorized text of the work, and a glossary.

This study examines the representation of religion in Ernest Hemingway's fiction. In most of his stories, references to the church are adversely critical. No protagonist finds solace in conventional religious faith.

English-language studies of Hermann Hesse have failed to adequately explore the role of dreams and visions in his major novels. This study attempts to summarize the present state of Hesse criticism in this area and to make a systematic study of the role of dreams and visions in each of his major novels.