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The Art of Borrowing: Quotations and Allusions in Western Music
First Movement of Robert Schumann's Piano Sonata Op. 14 in F Minor from the Performer's Perspective: An Analytical Study of Four Editions
John Ireland's Piano Sonata (1918-1920) and the Influence of Johannes Brahms
Expansion of Pianism through a Reinterpretation of Bartók's Dance Suite for Solo Piano (1925)
Musique Concrète Instrumentale in Helmut Lachenmann's "Child's Play" (1980): A Pedagogical Study for Late Intermediate Students
12 Études Caractéristiques, Opus 2, by Adolf von Henselt: A Pedagogical Guide with Practical Exercises on Selected Etudes
Brazilian Adaptations of Baroque and Classical Elements in the Piano Sonata in F Minor, Op. 9, by Alberto Nepomuceno (1864–1920)
A Schenkerian Analysis and Interpretation of Joseph Jongen's Eclectic "Vingt-quatre petits préludes dans tous les tons pour piano," Op. 116 (1940-1941)
A Pedagogical Analysis of Zhao Zhang's "Pi Huang": Representing Peking Opera on the Piano
On Wings of Song: Exploring the First-Generation Chinese Art Song Composer Ellinor Valesby (1894-1969)
A Performance Guide to Gervais-François Couperin's Offertoires
Lowell Liebermann's "Four Etudes on Songs of Brahms," Op. 88 (2004) and "Four Etudes on Songs of Robert Franz," Op. 91 (2005): A Pedagogical Guide
An Introduction to Contemporary Characteristics in Twentieth-Century Piano Music for the Late-Intermediate Student: A Pedagogical Analysis of the Bagatelles, Opus 5 by Alexander Tcherepnin
Building an Effective Piano Technique while Avoiding Injury: A Comparison of the Exercises in Alfred Cortot's "Rational Principles of Pianoforte Technique" and Carl Tausig's "Daily Studies for the Pianoforte"
An Introduction to the Piano Works of William Mason (1829-1908) and a Performance Guide to Selected Repertoire for Intermediate Students
Soviet Music as Bricolage: The Case of the Piano Works of Nikolai Rakov (1908-1990)
Unorthodox Pianism and Its Unexpected Consequences: A Performance Guide to Leo Ornstein's Seventeen Waltzes
Conducting from the Piano? A Tradition Worth Reviving?
Composer/Performer Collaboration as Seen in the Solo Piano Part of Percy Grainger's Edition of the Edvard Grieg Piano Concerto in A Minor Opus 16
Ross Lee Finney's 32 Piano Games and Stephen Chatman's Amusements: A Comparison of Two Pedagogical Approaches to Contemporary Musical Elements and Techniques
A Study of Neoclassical Elements in Ernst Krenek's George Washington Variations, op. 120
Seven Nocturnes for Solo Piano: An Original Composition with Critical Essay and Suggestions for the Performer
A Comparative Analysis of the Orchestral and Piano Versions of Finlandia by Jean Sibelius in Relation to His Compositional Style, 1899–1904
Louis Vierne’s Pièces de Fantaisie, Opp. 51, 53, 54, and 55: Influence from Claude Debussy and Standard Nineteenth-Century Practices
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