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Stylistic Elements within the Texture and Formal Structure of Ernst von Dohnányi's Four Rhapsodies, op. 11
The Vocal Pedagogy of Frederic Woodman Root
The Influence of Japanese Composers on the Development of the Repertoire for the Saxophone and the Significance of the Fuzzy Bird Sonata by Takashi Yoshimatsu
A study of the Violin Concerto in D Minor by Ralph Vaughan Williams
X, An Analytical Approach to John Chowning's Phoné
"Being" a Stickist: A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene
Fractus I for Trumpet in C and Electronic Sound: A Critical Examination of the Compositional Process
A Performance Guide for Pearls I and Pearls II by Roland Szentpali
Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study
Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition
161 Glass: Site Specific Music in an Artistic Context
The Legacy of Theodore Leschetizky as Seen through His Pedagogical Repertoire and Teaching Style
Ida Gotkovsky's Eolienne Pour Flute et Harpe in Theory and Practice: A Critical Analysis
Native American Elements in Piano Repertoire by the Indianist and Present-Day Native American Composers
A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90
Musical Arrangements and Questions of Genre: A Study of Liszt's Interpretive Approaches
A Comparative Analysis of the 1915 and 1919 Versions of Symphony No. 5 in E-flat Major, op. 82 by Jean Sibelius
The Khan Variations for Solo Marimba by Alejandro Viñao: Musical Analysis and Performance Practice
A Performer's Analysis of Dominick Argento's Miss Havisham's Wedding Night
Using Web-Based Instruction to Teach Music Theory in the Piano Studio: Defining, Designing, and Implementing an Integrative Approach
This Creature, Bride of Christ
An Annotated Bibliography of Selected Music for Saxophone by Charles Ruggiero with an Analysis of Interplay for Soprano Saxophone and Piano
Music Career Opportunities and Career Compatibility: Interviews with University Music Faculty Members and Professional Musicians
Rediscovering Fernande Decruck's Sonate en ut# pour saxophone alto (ou alto) et orchestre: A Performance Analysis
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