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Studio Art
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1970-1979
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The Incorporation of Silkscreen Techniques in the Decoration of Raku-Fired Ceramics
Investigation of Zinc, Magnesium, and Aluminum as Etching Surfaces
Printmaking and Painting in Combination with Other Media
Interpretive Drawing: Self-Portraits
Factors Which Motivated Me to Produce as a Working Sculptor
An Investigation of the Sculptural Possibilities of Warp Distortion and Manipulation Through Warp Weighting
The Combination of Sewing Techniques, Manufactured Fabric, Paper, Paint, as a Creative Process
Indian Patriots: A Study Through Portraiture
An Investigation of Large Scale in Painting
The Use of Blacksmithing Techniques in the Construction of Outdoor Sculpture
An Investigation of Visual Oppositions in Drawing and Printmaking
Altering the Muzak Situation
A One-Person Exhibition: An Investigation of Problems in the Production, Selection, Presentation, and Installation
Collaborative Art
Exploring the Possibilities of Combining Hand Fabricated and Mold Formed Ceramic Processes
Dreams as a Source of Imagery
The Combination of Objects in Box-Like Containers
The Use of the Metaphor as Visual Poetry
Combining Woodblock and Intaglio Into the Editionable Print
Large Graphite Drawings on Gessoed Surfaces
Three Procedures for Creatively Joining Paper and Fabric Surfaces in Painting
Combining Clay and Light Into Sculptural Forms
The Neutralization of the Figure Within a Controlled Environment
Adapting Reproduction Knowledge and Photomechanical Techniques to Serigraphy for Non-Commercial Purposes
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