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Erich Wolfgang Korngold’s Idea of the “Modern”: Developing Variation in the Piano Concerto in C Sharp, Opus 17
James Macmillan’s St John Passion: the Role of Celtic Folk Idioms and the Reproaches
Form and Pianistic Texture in the Operatic Fantasies Based on La Sonnambula and Der Freischütz of Franz Liszt and Julian Fontana: a Comparison of Compositional Approach
The Changing Symbolic Images of the Trumpet: Bologna and Venice in the Seventeenth Century
An Analysis of Honegger’s Cello Concerto (1929): a Return to Simplicity?
“The Scherzo for Trombone Quartet” by John La Montaine: A Performer’s Edition
A Contemporary Application of Boris Goldovsky’s Method for Training the Operatic Singer-actor: a Model for Today’s University Opera Workshop Instructor
Reading Isang Yun’s Concerto No 3 Beyond Western Notational Norms
Shostakovich's Use of Satire in Anti-formalist Rayok with a Focus on the Music of the Character Dt Troikin
Selected Operas of Isabelle Aboulker As Repertoire for the University Opera Studio
The Influence of Indigenous Bushmen Musical Elements and Significant Compositional Traits on Niel Van Der Watt’s Song Cycle, Die Wind Dreun Soos ‘N Ghoera, ‘N Siklus Boesman-mites
The Influence of Norwegian Folk Elements on Thomas Dyke Tellefsen’s Mazurkas Op 3 (1849) and Op 14 (1853)
Carlos Guastavino’s Sonata Para Trombón O Trompa Y Piano: Analysis of Argentine Song and Formal Western Music Tradition Applied to Trombone Repertoire
The First Movement of Piano Sonata in B-flat Minor by Julius Reubke: a Comparison of Three Editions From the Performer’s Point of View
A Comparison of Rhythm, Articulation, and Harmony in Jean-michel Defaye’s À La Manière De Stravinsky Pour Trombone Et Piano to Common Compositional Strategies of Igor Stravinsky
An Examination of Text Reflection and Imagery in Zoltán Gárdonyi’s Fünf Lieder Nach Gedichten Von Rainer Maria Rilke
The Russian Taffanel: the Significance of Vladimir Tsybin and His Concert Allegro No3
Prokofiev Beckons the Double Bass Into the Modern Age: a Pedagogical Study of the Op 39 Quintet
Béla Bartók’s Editorial Input As Seen in His Edition of Piano Sonata Hobxvi:49 in E Flat Major by Joseph Haydn
Breaking the Doubler Barrier: Using Sy Brandon’sDivertissement to Demonstrate a Practical Approach to Performing Multiple WoodwindWorks
Pedagogical Applications of Scat-singing Within the Jazz Trombone Studio
The Application of Common-practice Elements in Modern Music: Examining Examples of Musical Continuity in Selected Piano Works of James R Wintle
Charles Wuorinen’s Flute Variations Ii: an Analysis and Performance Guide
Gordon Binkerd’s “Intermezzo” From Essays for the Piano (1976): a Comprehensive Analysis of Brahmsian Compositional Influences and Stylistic Elements
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