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Eighteenth-Century French Oboes: A Comparative Study
The Musical Fallout of Political Activism: Government Investigations of Musicians in the United States, 1930-1960
The Use of Jazz in Opera
The Essercizii musici: A Study of the Late Baroque Sonata
"Being" a Stickist: A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene
Repetition and Difference: Parodic Narration in Kander and Ebb's "The Scottsboro Boys"
Cadential Syntax and Mode in the Sixteenth-Century Motet: a Theory of Compositional Process and Structure from Gallus Dressler's Praecepta Musicae Poeticae
Don Gillis's Symphony No 5½: Music for the People
Carlo Milanuzzi's Quarto Scherzo and the Climate of Venetian Popular Music in the 1620s
Le Nuove Musiche: Giovanni Battista Bovicelli?
Beyond the "Year of Song": Text and Music in the Song Cycles of Robert Schumann after 1848
Singing the Republic: Polychoral Culture at San Marco in Venice (1550-1615)
The Full Anthems and Services of John Blow and the Question of an English Stile Antico
Scoring for the Specter: Dualities in the Music of the Ghost Scene in Four Film Adaptations of Hamlet
"Marvelous Accidents": The Concerto for Prepared Piano and Chamber Orchestra of John Cage
The Resurrexit from Hector Berlioz's Messe solennelle (1825): A Case Study in Self-Borrowing
Nobody's Fool: A Study of the Yrodivy in Boris Godunov
Beyond the Human Voice: Francis Poulenc's Psychological Drama La Voix humaine (1958)
In-between Music: The Musical Creation of Cholo Identity in Cochabamba, Bolivia
Mus. Ms. 1511b: A Historical Review of a Lute Manuscript in the Herwarth Collection at the Bavarian Library, Munich
Jean-Georges Kastner's Traité general d'instrumentation: A Translation and Commentary
The Whole as a Result of Its Parts: Assembly in Aaron Copland's Score for The Red Pony
Guilielmus Revealed: the Coherence, Dating, and Authorship of "De Preceptis Artis Musice"
Die Opernprobe by Albert Lortzing: a Critical Edition
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