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Eighteenth-Century French Oboes: A Comparative Study
Dramatic Expression in Thirty Musical Settings of Goethe's "Der Erlkonig"
The Musical Fallout of Political Activism: Government Investigations of Musicians in the United States, 1930-1960
The Use of Jazz in Opera
The Essercizii musici: A Study of the Late Baroque Sonata
"Being" a Stickist: A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene
Repetition and Difference: Parodic Narration in Kander and Ebb's "The Scottsboro Boys"
Cadential Syntax and Mode in the Sixteenth-Century Motet: a Theory of Compositional Process and Structure from Gallus Dressler's Praecepta Musicae Poeticae
Don Gillis's Symphony No 5½: Music for the People
Carlo Milanuzzi's Quarto Scherzo and the Climate of Venetian Popular Music in the 1620s
Le Nuove Musiche: Giovanni Battista Bovicelli?
Beyond the "Year of Song": Text and Music in the Song Cycles of Robert Schumann after 1848
Singing the Republic: Polychoral Culture at San Marco in Venice (1550-1615)
English Devotional Song of the Seventeenth Century in Printed Collections from 1638 to 1693: A Study of Music and Culture
The Full Anthems and Services of John Blow and the Question of an English Stile Antico
Spółka Nakładowa Młodych Kompozytorów Polskich (1905-1912) and the Myth of Young Poland in Music
The Program Symphonies of Joseph Joachim Raff
Ignacy Feliks Dobrzyński (1807-1867): His Life And Symphonies
The Theoretical Treatises of Josef Matthias Hauer
The Lute Music and Related Writings in the Stammbuch of Johann Stobaeus
Schoenberg's Janus-Work Erwartung: Its Musico-Dramatic Structure and Relationship to the Melodrama and Lied Traditions
Scoring for the Specter: Dualities in the Music of the Ghost Scene in Four Film Adaptations of Hamlet
Music and Patronage in Milan 1535-1550 and Vincenzo Ruffo's First Motet Book
The Anthem in America: 1900-1950
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