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The Waning of Victorian Imperialism: Stylistic Dualism in Gustav Holst's One-Act Opera Sāvitri (1908-9)
Poetry and Patronage: Alessandro Scarlatti, The Accademia Degli Arcadia, and the Development of the Conversazione Cantata in Rome 1700-1710
A Study of Style and Influence in the Early Schools of Violin Making Circa 1540 to Circa 1800
The Famous Mr. Keach: Benjamin Keach and His Influence on Congregational Singing in Seventeenth Century England
The Chevalier de Saint-Georges: An Exponent of the Parisian Symphonie Concertant
Critical Reaction to Serge Koussevitzky's Programming of Contemporary Music with the Boston Symphony Orchestra 1924-1929
French Theories of Beauty and the Aesthetics of Music 1700 to 1750
The String Quartets of Franz Berwald
Busoni's Doktor Faust
Johann Friedrich Reichardt and His Liederspiel "Liebe und Treue"
Still life in black and white: An intertextual interpretation of William Grant Still's "symphonic trilogy."
Use Restricted to the UNT Community.
Reading Handel: A Textual and Musical Analysis of Handel's Acis and Galatea (1708, 1718)
Use Restricted to the UNT Community.
Form, Style, Function and Rhetoric in Gottlob Harrer's Sinfonias: A Case Study in the Early History of the Symphony
Use Restricted to the UNT Community.
The "Beethoven Folksong Project" in the Reception of Beethoven and His Music
The "Gypsy" style as extramusical reference: A historical and stylistic reassessment of Liszt's Book I "Swiss" of Années de pèlerinage.
Michael Nyman: The Man Who Mistook His Wife for a Hat
Yoon-Seong Cho's Jazz Korea: A Cross-cultural Musical Excursion
Belle Musique and Fin' Amour: Thibaut de Champagne, Gace Brulé, and an Aristocratic Trouvére Tradition
The Sounds of the Dystopian Future: Music for Science Fiction Films of the New Hollywood Era, 1966-1976
Sensitivity, Inspiration, and Rational Aesthetics: Experiencing Music in the North German Enlightenment
Educating American Audiences: Claire Reis and the Development of Modern Music Institutions, 1912-1930
Allusions and Borrowings in Selected Works by Christopher Rouse: Interpreting Manner, Meaning, and Motive through a Narratological Lens
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Ode to the Ninth: the Poetic and Musical Tradition Behind the Finale of Beethoven's Choral Symphony
Opera and Society in Early-Twentieth-Century Argentina: Felipe Boero's El Matrero
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