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Arabic 1620: An Analysis and Procedure for Composing Computer Music VOL. 2
The English Horn: Its History and Development Into Orchestral Music
The Development of Schoenberg's Twelve-Tone Technique From Opus Nine to Opus Twenty-Six
A Stylistic and Pianistic Evaluation of Aaron Copland's Piano Fantasy
Nineteenth-Century New Orleans Composers
Carl Nielsen's Symphonic Elements as Evidenced in the Commotio
Arabic 1620: An Analysis and Procedure for Composing Computer Music
Clavecin Pieces of Louis Couperin
Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, Manuscript Basevi 2439: Critical Edition and Commentary
Stylistic Analysis of "Banalités" by Francis Poulenc
An Analytical Study of Solos for Beginning College Voice Students
An Analytical Critique of the Use of Twelve Equal Tones as Utilized in "Sonata-Fantasia" by George Rochberg
Choral Problems in Handel's Messiah
A Rehearsal Method for Presenting Historical and Theoretical Aspects of Selected Works for Concert Band
Programmed Learning for Primary Choirs in Southern Baptist Churches
A Study of Stravinsky's Use of the Trombone in Selected Works
Elements of Verismo in Selected Operas of Giuseppe Verdi
The Use of the Trombones in Beethoven's Symphonies Nos. 5, 6, 9, and Schubert's Symphony No. 8
The Stage Works of Franz Schubert with an Analysis of Fierrabras
A Comparison of Formal and Structural Principles in the Concerti Grossi of Corelli's Opus VI and Vivaldi's Opus III
Menotti's Use of Dramatic Impact in The Medium
The Use of Imitation in the String Quartets of Béla Bartók
The Basset Horn: Its Development and Literature
A Plan of Study for a Course in Vocal Pedagogy
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