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"Rainpiece": A Modular Work for Flute, Harp, Viola, and Live Electronics
"Idle Flux": A Composer/Choreographer Collaboration
Dido the Chaste: A Characterization of Dido in Spanish Baroque Pasticcio Opera
"Untune the Sky": Ten Original Pieces for Microtonal Viola da Gamba with Voice and Electronics
The Extended Lydian Locrian Theory of Harmony
On the Precipice: Examining Generic Convention and Innovation in Thermidorian Opera through "Sapho" (1794)
The Practice of Content-Driven Composition for Instrument and Computer
A Study of Large-Scale Auxiliary Cadence Types in Songs of Schubert, Brahms and Berg
"Femininity: Ownership and Power": A Multimedia Exhibition
Chicago Renaissance Women: Black Feminism in the Careers and Songs of Florence Price and Margaret Bonds
Making Sense of Things
"Despedida con Mariachi": The Musical Mediation of Masculine Grief in Mexican Immigrant Funerals
Sounding the Ancestors: Sangpuy Katatepan Mavaliyw and the Ancestral Spirit Imaginary
Clementi the Scientist: Contemporary Reception of His Symphonies
The Emergence of the Subconscious in Erik Satie's "Parade": The Search for Surrealism in Sound
"The Harbour of Incense": An Original Composition in Three Movements
A 'Bohemian' Premiere? Smetana's "The Bartered Bride" and National Identity in 1909 New York
A Multi-Dimensional Approach towards Understanding Music Notation through Cognition
Looking through a Different Lens, Beyond Censorship: The American Reception of Lady Macbeth of the Mtsensk District
Transient Delete: Original Composition with a Critical Examination of the Compositional Process and a Survey of Digital Technology in Opera
Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice
The Natural Learning Process and Its Implications for Trombone Pedagogy
Reviewing Commercial Music Resources: a Guide for Aspiring Singers and Vocal Professionals
Nihilism and the Formulation of a Philosophy of Art
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