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A Survey and Analysis of the Relationship and Approach of Texas Museums to Contemporary Art
Edvard Munch's Fatal Women: A Critical Approach
Dallas as Region: Mark Lemmon's Gothic Revival Highland Park Presbyterian Church
Texas Cowboy as Myth: Visual Representations from the Late Twentieth Century
Use Restricted to the UNT Community.
Art Criticism and the Gendering of Lee Bontecou's Art, ca. 1959 - 1964
Use Restricted to the UNT Community.
Feminist Design Methodology: Considering the Case of Maria Kipp
Iconographic Analysis of the Armadillo and Cosmic Imagery within Art Associated with the Armadillo World Headquarters, 1970 - 1980
Images of women shopping in the art of Kenneth Hayes Miller and Reginald Marsh, ca 1920-1930.
Use Restricted to the UNT Community.
Personal Passions and Carthusian Influences Evident in Rogier Van Der Weyden's Crucified Christ between the Virgin and Saint John and Diptych of the Crucifixion
Faith and politics: The socio-political discourses engaged by Mexican ex-voto paintings from the nineteenth-century and beyond.
Mark Di Suvero's Sculpture: From the Found-Object Sculpture of the Nineteen Sixties to the Monumental Sculpture of the Nineteen Eighties, A Study in Continuity
Aldo Rossi: From Modern to Post-Modern Architecture, 1960-1990
James Rosenquist: Process, Representation, and the Simulacrum
Marcel Duchamp's The Large Glass as "Negation of Women"
Nineteenth Century English Fresco
The Chinese Tea Trade and Its Influence on the English Garden of the Eighteenth Century
Cassoni in America: An Investigation of Three Major Themes
Printmaking from 1400 to 1700 with a Catalogue of the Print Collection at the Dallas Museum of Art
When Reality Was Surreal: Lee Miller's World War II War Correspondence for Vogue
Use Restricted to the UNT Community.
Complementary Dualities: The Significance of East/West Architectural Difference in Paquimé
Two Annunciations: Examples of interpellation or offers of reception? a comparative analysis of pictures by Roger van der Weyden and René Magritte.
The Religious and Political Reasons for the Changes in Anglican Vestments Between the Seventeenth and Nineteenth Centuries
The Confident Amazon: Warrior-Women in the Collected Works of Christine de Pizan
Hojas Volantes: José Guadalupe Posada, the Corrido, and the Mexican Revolution
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