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Cassoni in America: An Investigation of Three Major Themes
The Kimbell Art Museum Building from Concept to Completion
Nineteenth Century English Fresco
A Survey and Analysis of the Relationship and Approach of Texas Museums to Contemporary Art
Printmaking from 1400 to 1700 with a Catalogue of the Print Collection at the Dallas Museum of Art
The Chinese Tea Trade and Its Influence on the English Garden of the Eighteenth Century
Arkansas Courthouses: Architectural Style and Tradition
Edvard Munch's Fatal Women: A Critical Approach
Marcel Duchamp's The Large Glass as "Negation of Women"
Five Buildings in the Dallas Central Business District by I.M. Pei and Partner Henry N. Cobb: A Stamp on the City's Direction
Edward Larrabee Barnes's Dallas Museum of Art: An Architectural Development Study
The Religious and Political Reasons for the Changes in Anglican Vestments Between the Seventeenth and Nineteenth Centuries
The Visual Arts Philosophy of Roman Catholicism as Manifested in the Works of Four Commissioned Artists Completed for the 1987 Sanctuary of St. Rita's Catholic Church
The Design and Function of the Interior Space of the Morton H. Meyerson Symphony Center of Dallas, 1980-1989
Aldo Rossi: From Modern to Post-Modern Architecture, 1960-1990
The Patsy and Raymond Nasher Collection of Twentieth-Century Sculpture, 1967 to 1987
Nineteenth Century Light and Color Theory: Rainbow Science in the Art of Frederic Edwin Church
"Designing with Light": Carlotta Corpron and the New Bauhaus
Mark Di Suvero's Sculpture: From the Found-Object Sculpture of the Nineteen Sixties to the Monumental Sculpture of the Nineteen Eighties, A Study in Continuity
The Sublime and the Beautiful in the Works of Claude-Joseph Vernet
The Confident Amazon: Warrior-Women in the Collected Works of Christine de Pizan
The Influence of Flamenco on Selected Works of Picasso
Benjamin West's St. Paul Shaking the Viper from his Hand After the Shipwreck: Altarpiece of 1789 and Designs for Other Decorative Works in the Chapel of St. Peter and St. Paul, The Royal Naval College, London
Hojas Volantes: José Guadalupe Posada, the Corrido, and the Mexican Revolution
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