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Dramatic Expression in Thirty Musical Settings of Goethe's "Der Erlkonig"
An Examination of Two Significant Percussion Compositions: Karlheinz Stockhausen's Zyklus and Ingolf Dahl's Duettino Concertante, a Lecture Recital Together with Five Recitals of Selected Works of A. Ginastera, A. Wilder, W. Kraft, and Others
Orfeo I: an Analytic Investigation of Thea Musgrave's Work for Flute and Tape, with Performance Guide
Archetypal Dreams
The Songs of Lennox Berkeley: A Lecture Recital, Together with Three Recitals of Selected Works of F.P. Schubert, G. Fauré, C. Debussy, F. Poulenc, M. Ravel, H. Wolf, J.S. Bach, G.F. Handel, I. Stravinsky, and Others
An Investigation of the Needs for Music-Related Content in the Bible College Pastoral Curriculum as Perceived by a Selected Group of Pastors
A Study of the Relationship Between Motive and Structure in Brahms's op. 51 String Quartets
An Examination of Two Sextets of Carlos Chávez, Toccata for Percussion Instruments and Tambuco for Six Percussion Players
English Devotional Song of the Seventeenth Century in Printed Collections from 1638 to 1693: A Study of Music and Culture
Transposition and the Transposed Modes in Late-Baroque France
Capriccio, By Richard Strauss and Clemens Krauss: Theoretical Discussion as Theatrical Presentation, Together with Three Recitals of Selected Works of Strauss, Wagner, Verdi, Mozart, Britten, and Prokofiev
The Missae De Beata Virgine C. 1500-1520: A Study of Transformation From Monophonic to Polyphonic Modality
The Influence of Jazz on French Solo Trombone Repertory
Relationships Between Selected Musical Aural Discrimination Skills and a Multivariate Measure of Intellectual Skills
British Pastoral Style and E.J. Moeran's Fantasy Quartet: A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, B. Britten, L. Foss, G. Handel, A. Marcello, E. Rubbra, C. Saint-Saens, and Others
Piano Music of Native Chinese Composers, with Particular Focus on the Piano Works Since 1950: a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, L.v. Beethoven, S. Prokofiev, F. Chopin, R. Schumann, J. Brahms, M. Ravel, and A. Skryabin
A Comparison of the Transcription Techniques of Godowsky and Liszt as Exemplified in Their Transcriptions of Three Schubert Lieder
The Flute in the Solo and Chamber Music of Albert Roussel (1869-1937), a Lecture Recital, Together with three recitals of selected works by J.S. Bach, I. Dahl, G. Fauré, H. Genzmer, P. Hindemith, Jolivet, Schubert, and Others
Adaptation of Handel's Castrato Airs for Bass: A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W. Mozart, M. Ravel, G. Finzi, R. Schumann, A. Caldara, G. Handel, H. Wolf, H. Duparc, C. Ives and S. Barber and an Operatic Role by Verdi
The Relationships Between Job Satisfaction and Personality Traits Among Music Teachers
The Music for Solo Clarinet by Arnold Cooke: The Influence of Paul Hindemith and a Comparison of the Music for Solo Clarinet by Both Composers: A Lecture Recital, Together with Three Recitals of Selected Works by C. Nielsen, J. Françaix, and Others
An Investigation of Conflicts in the Perceptions of Band Directors, School Administrators, and Selected Members of the Community About Their Respective Band Programs
Avant-Garde Techniques in the Organ Works of György Ligeti, a Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, J.S. Bach, W.A. Mozart, M. Reger, and Others
Commotio: Carl Nielsen's Symphony for Organ: A Lecture Recital, Together with Three Recitals of Selected Works of F. Couperin, J.S. Bach, P. Hindemith, M. Duruflé, S. Raisin, D. Buxtehude, M. Reger, F. Martin, M. Weckmann, F. Tunder, V. Lübeck, C.P.E. Bach, and L. Vierne
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