The Blurred Boundaries between Film and Fiction in Salman Rushdie's Midnight's Children, The Satanic Verses, and Other Selected Works (open access)

The Blurred Boundaries between Film and Fiction in Salman Rushdie's Midnight's Children, The Satanic Verses, and Other Selected Works

This dissertation explores the porous boundaries between Salman Rushdie's fiction and the various manifestations of the filmic vision, especially in Midnight's Children, The Satanic Verses, and other selected Rushdie texts. My focus includes a chapter on Midnight's Children, in which I analyze the cinematic qualities of the novel's form, content, and structure. In this chapter I formulate a theory of the post-colonial novel which notes the hybridization of Rushdie's fiction, which process reflects a fragmentation and hybridization in Indian culture. I show how Rushdie's book is unique in its use of the novelization of film. I also argue that Rushdie is a narrative trickster. In my second chapter I analyze the controversial The Satanic Verses. My focus is the vast web of allusions to the film and television industries in the novel. I examine the way Rushdie tropes the "spiritual vision" in cinematic terms, thus shedding new light on the controversy involving the religious aspects of the novel which placed Rushdie on the most renowned hit-list of modern times. I also explore the phenomenon of the dream as a kind of interior cinematic experience. My last chapter explores several other instances in Rushdie's works that are influenced by a filmic …
Date: August 1999
Creator: Quazi, Moumin Manzoor
System: The UNT Digital Library
Children and Childhood in Hawthorne's Fiction (open access)

Children and Childhood in Hawthorne's Fiction

This paper explores the role of children and childhood in Nathaniel Hawthorne's fiction. Moreover, it asserts that the child and childhood are keys to a better understanding of Hawthorne's fiction.
Date: August 1999
Creator: Sitz, Shirley Ann Ellis
System: The UNT Digital Library
Reverberating Reflections of Whitman: A Dark Romantic Revealed (open access)

Reverberating Reflections of Whitman: A Dark Romantic Revealed

Walt Whitman has long been celebrated as a Romantic writer who celebrates the self, reveres Nature, claims unity in all things, and sings praises to humanity. However, some of what Whitman has to say has been overlooked. Whitman often questioned the goodness of humanity. He recognized evil in various shapes. He pondered death and the imperturbability of Nature to human death. He exhibited nightmarish imagery in some of his works and gory violence in others. While Whitman has long been called a celebratory poet, he is nevertheless also in part a writer of the Dark Romantic.
Date: August 1999
Creator: Lundy, Lisa Kirkpatrick
System: The UNT Digital Library
Thais Taking Turns: How Thais Participate in Group Work in the American Classroom (open access)

Thais Taking Turns: How Thais Participate in Group Work in the American Classroom

Using Ethnography of Communication, Conversational Analysis, and surveys, Thai students' participation in group work was studied to determine how they interact with native English-speaking students. Issues discussed are: (1) behaviors Thai students display during group work; including comparisons and contrasts to native students' behaviors, (2) prejudices native students have about including Thai students in group work, (3) Thais' strengths and weaknesses in group work, and (4) perceptions native and Thai students and their professors have regarding group work and its importance to successful course completion. The study concludes by recommending ways that both Thai students and their professors can enhance the learning outcomes of courses that heavily emphasize group work.
Date: August 1999
Creator: Bischof, Janine Chere
System: The UNT Digital Library
Theories of Relativity (open access)

Theories of Relativity

Theories of Relativity is a post-modern novella that questions the authority of truth. Multiple perspectives are utilized in the narrative to recount how the murder of a young girl has affected the tragedy's survivors. The focus of the narrative is not to determine the innocence or guilt of the accused, but to show how perspective influences our perception of truth. Eighteen pages of prefatory remarks comprise the body of an essay that explores the parameters of truth.
Date: August 1999
Creator: Mercer, Rebekah M.
System: The UNT Digital Library
The Matters of Troy and Thebes and Their Role in a Critique of Courtly Life in Chaucer and the Gawain-Poet (open access)

The Matters of Troy and Thebes and Their Role in a Critique of Courtly Life in Chaucer and the Gawain-Poet

Both Chaucer and the Gawain-poet use the Matters of Troy and Thebes as material for a critique of courtly life, applying these literary matters to the events and actions in and around Ricardian England. They use these classical matters to express concerns about the effectiveness of the court of Richard II. Chaucer uses his earlier works as a testing ground to develop his views about the value of duty over courtly pursuits, ideas discussed more completely in Troilus and Criseyde. The Gawain-poet uses the Matter of Troy coupled with the court of King Arthur to engage in a critique of courtly concerns. The critiques presented by both poets show a tendency toward duty over courtly concerns.
Date: May 1999
Creator: Jones, Oliver M.
System: The UNT Digital Library
The Religious Dimensions of William Faulkner: An Inquiry into the Dichotomy of Puritanism (open access)

The Religious Dimensions of William Faulkner: An Inquiry into the Dichotomy of Puritanism

"The Religious Dimensions of William Faulkner: An Inquiry into the Dichotomy of Puritanism" traces a secular mode of thinking of American moral superiority and the gospel of success to its religious origins. The study shows that while the basis for American moral superiority derives from the typological correspondence between sacred history and American experience, the gospel of success results from the Puritan preoccupation with work as a virtue instead of a necessity because labor improves one's lot in this world while securing salvation in the next. By explaining how Puritanism begins as a rejection of worldliness but ends as an orgy of materialism, my study raises and addresses the paradoxical nature of the Puritan legacy: Why should the Puritan work ethic, when subverted by its logical conclusion---the gospel of success, result in the undoing of Puritan spirituality in its mission of redeeming the Old World? Furthermore, this inquiry examines the role Puritanism plays in creating the mythologies of America as the New World Garden, the white man as the American Adam, the black man as the American Ham, and the white woman as the American Eve. In the Puritan use of biblical typology, blacks and women function as the white …
Date: May 1999
Creator: Wu, John Guo Qiang
System: The UNT Digital Library
The Woman in the Box is Smiling (open access)

The Woman in the Box is Smiling

The Woman in the Box is Smiling is a collection of poems, prose poems, short-short stories, and short stories. The introduction is a personal essay which discusses form as a device used to gain control over subject matter.
Date: December 1998
Creator: Santiesteban, Vicky Lee
System: The UNT Digital Library
The Apostasy (and Return) of Lenny Gorsuch (open access)

The Apostasy (and Return) of Lenny Gorsuch

This comic romantic novel engages the question of how the Christianity of the southern, fundamentalist world of the Texas bible belt, finding its primary cultural assumptions about human existence challenged by the more confusing elements of a modern sensibility, a sensibility over-laden with strange-attractors, mechanistic psychologies, relativistic physics and ethics, evolutionary premises, newly proclaimed rights and freedoms, a deterioration in cultural political naivete, and the advent of an increasingly incomprehensible set of technologies, can survive. The "central" character is a young, slightly deformed man raised by his ostensibly "Christian" grandparents who, through a rather odd set of legal circumstances and physical events, not only become wealthy, but somewhat powerful in their immediate community. He finds himself involved with a young woman, raised in an equally "Christian" household, but, as is true of any romantic plot, the relationship between the two is destined, by virtue of circumstance and the meddling of other characters, to struggle and mishap. In the end, the text, in its own fashion, asserts that the Christian impulse can survive the modern era by virtue of one of its central tenets: faith, in the Christian world, is very much the same as life itself, a process of waiting …
Date: August 1998
Creator: Guidici, Guy R.
System: The UNT Digital Library
Language Contact in the Inner City: the Acquisition of AAVE Features by Bilingual Hispanic Adolescents (open access)

Language Contact in the Inner City: the Acquisition of AAVE Features by Bilingual Hispanic Adolescents

Sociolinguists working in Northern urban areas have shown that Hispanics who come in contact with African Americans sometimes acquire features of African American vernacular English (AAVE). However, the acquisition of AAVE features by Hispanics in the South has yet to be documented. Specifically, no one has studied the kind of English that Hispanics in Texas are acquiring. The present study investigates this issue through research in an inner-city area of Dallas: Oak Cliff. During the past twenty-five years, the population of Oak Cliff has changed from a largely African American community to include a substantial number of Hispanics. Though their neighborhoods remain fairly separate, sports and gangs provide an arena for extended contact. This study investigates the extent to which AAVE grammatical features are being acquired by bilingual Hispanic adolescents who hang out with African Americans. The analysis for this paper focuses on the relationship between contact and depth of acquisition of AAVE syntactic constraints on the use the copula (is/are, be). Preliminary results show that be+V+ing as an habitual form has been incorporated into the grammar of these subjects, suggesting fundamental changes towards an AAVE grammatical system.
Date: August 1998
Creator: Coleman, Jeffrey Alan
System: The UNT Digital Library
The Theme of Isolation in Selected Short Fiction of Kate Chopin, Katherine Anne Porter, and Eudora Welty (open access)

The Theme of Isolation in Selected Short Fiction of Kate Chopin, Katherine Anne Porter, and Eudora Welty

"The Theme of Isolation in Selected Short Fiction of Kate Chopin, Katherine Anne Porter, and Eudora Welty" examines certain prototypical natures of isolation as recurrent and underlying themes in selected short fiction of Chopin, Porter, and Welty. Despite the differing backgrounds of the three Southern women writers, and despite the variety of issues they treat, the theme of isolation permeates most of their short fiction. I categorize and analyze their short stories by the nature and the treatment of the varieties of isolation. The analysis and comparison of their short stories from this particular perspective enables readers to link the three writers and to acknowledge their artistic talent and grasp of human psychology and situations.
Date: August 1998
Creator: Arima, Hiroko, 1959-
System: The UNT Digital Library
Anyone Lived in a Pretty How Hell: the Rhetoric of Universality in Bessie Head (open access)

Anyone Lived in a Pretty How Hell: the Rhetoric of Universality in Bessie Head

This dissertation approaches the work of South African/Botswanan novelist Bessie Head, especially the novel A Question of Power, as positioned within the critical framework of the postcolonial paradigm, the genius of which accommodates both African and African American literature without recourse to racial essentialism. A central problematic of postcolonial literary criticism is the ideological stance postcolonial authors adopt with respect to the ideology of the metropolis, whether on the one hand the stances they adopt are collusive, or on the other oppositional. A key contested concept is that of universality, which has been widely regarded as a witting or unwitting tool of the metropolis, having the effect of denigrating the colonial subject. It is my thesis that Bessie Head, neither entirely collusive nor oppositional, advocates an Africanist universality that paradoxically eliminates the bias implicit in metropolitan universality.
Date: May 1998
Creator: Edwards, George, Jr.
System: The UNT Digital Library
Moments: a Diary (open access)

Moments: a Diary

In my preface I have tried to show what a diary is, why they might be of interest to others, why I think they are valid and should be considered as such. I have defended my diary as being worthy material for a thesis, or myself as worthy of being called a writer. (Traditionally, writing in a diary doesn't qualify one as being a writer, even though you might write millions of pages and spend your entire lives doing it.) Edited selections of my diary make up the body of the thesis. These selections are divided into four main sections which suggested themselves during editing. To summarize the diary as a whole, I would say it's about human relationships.
Date: May 1998
Creator: Craig, Mendy J. (Mendy Jeneen)
System: The UNT Digital Library
Maelstrom: the Last Coyote Tale (open access)

Maelstrom: the Last Coyote Tale

It is a dark future, where corporations have taken the place of governmental bodies, and Earth is a myth, forgotten in the reconstruction after the Second Dark Age. One man--a clone--investigates a murder [that] leads him deep into a spirit quest of his own that will answer the questions of Man's heritage as well as his own identity. This story is a science fiction, but it is similar in structure to a Coyote tale and involves quite a bit of Navajo mythology. The use of Native American imagery is not an attempt to capitalize on another culture, but rather to study the culture and use allegorical elements that transcend many cultures. It must also be noted that non-Native American writers wrote all texts available on the subject. This fact should be taken into consideration by the reader.
Date: December 1997
Creator: Claiborne, J. Taylor (John Taylor)
System: The UNT Digital Library
Ways of Pulling a Person Out of the Water (open access)

Ways of Pulling a Person Out of the Water

Ways of Pulling A Person Out of the Water contains a preface, which discusses the writing process as well as a discussion of the short story form, ten original short stories, and two chapters of a novel-in-progress. A number of the short stories explore issues such as eating disorders, sexual violence, and artistic choice in the specialized context of the dance community. The novel chapters further develop one of the short stories, "When You Are the Camera and the Camera Is You." The narrator, Diane, explores her life coping with agoraphobia and her family's car accident.
Date: December 1997
Creator: Brooks, Michelle Marie
System: The UNT Digital Library
Inventions, Dreams, Imitations (open access)

Inventions, Dreams, Imitations

Eight short selections of fiction. "Inventions" consists of two invented creation myths. The three stories in "Dreams" are fantasy tales set in a common dream-world. The selections in "Imitations" are neither fantasy nor science fiction: "Time's Tapering Blade" is an experiment in form; "The Wake" concerns a group of friends dealing with a death; and "Janie, Hold the Light" is based on stories from the author's family about Christmas during the depression of the 1930's.
Date: August 1997
Creator: Gatlin, Charles Morgan
System: The UNT Digital Library
Religion and Politics in the Poetry of W.B. Yeats (open access)

Religion and Politics in the Poetry of W.B. Yeats

Previous critics have paid insufficient attention to the political implications of Yeats's life-long preoccupation with a wide range of Western and Eastern religious traditions. Though he always preserved some skepticism about mysticism's ability to reshape the material world, the early Yeats valued the mystical idea of oneness in part because he hoped (mistakenly, as it turned out) that such oneness would bring Catholic and Protestant Ireland together in a way that might make the goals of Irish nationalism easier to accomplish. Yeats's celebration of mystical oneness does not reflect a pseudo-fascistic commitment to a static, oppressive unity. Like most mystics—and most modernists—Yeats conceived of both religious and political oneness not as a final end but rather as an ongoing process, a "way of happening" (as Auden put it).
Date: August 1997
Creator: Yoo, Baekyun
System: The UNT Digital Library
Dirty Jokes and Fairy Tales: David Mamet and the Narrative Capability of Film (open access)

Dirty Jokes and Fairy Tales: David Mamet and the Narrative Capability of Film

David Mamet is best known as a playwright, but he also has a thriving film career, both as screenwriter and as director. He has taken very seriously each of these roles, formulating theories that, he suggests, account for the creative choices he makes. Though Mamet sometimes contradicts himself, as when he suggests that viewers should have the satisfaction of constructing their own meaning of a work, but at the same time is devoted to montage, which works by juxtaposing images that lead to a single interpretation, he clearly sees the story as a critical avenue into the spectator's unconscious, where he hopes it will resonate with a truth that speaks directly to the individual. His films House of Games, Things Change, and Homicide clearly reflect his ideas on the best ways of conveying a story on film. In House of Games, Mamet draws on Bruno Bettelheim's theories to construct a fairy tale designed to act on adult viewers in the same way that fairy tales act on the child. In Things Change, he creates a fable that explores issues of friendship and honor within the milieu of the gangster genre. And in Homicide, Mamet uses the expectations viewers bring to …
Date: May 1997
Creator: Haspel, Jane Seay
System: The UNT Digital Library
Iconic Ida: Tennyson's The Princess and Her Uses (open access)

Iconic Ida: Tennyson's The Princess and Her Uses

Alfred Lord Tennyson's The Princess: A Medley has posed interpretative difficulties for readers since its 1847 debut. Critics, editors, and artists contemporary with Tennyson as well as in this century have puzzled over the poem's stance on the issue of the so-called Woman Question. Treating Tennyson as the first reader of the poem yields an understanding of the title character, Princess Ida, as an ambassador of Tennyson's optimistic and evolutionary views of human development and links his work to that of visionary educators of nineteenth-century England. Later artists, however, produced adaptations of the poem that twisted its hopefulness into satirical commentary, reduced its complexities to ease the task of reading, and put it to work in various causes, many ranged against the improvement of women's condition. In particular, a series of editions carried The Princess into various nations, classrooms, and homes, promoting interpretations that often obscure Tennyson's cautious optimism.
Date: May 1997
Creator: Guidici, Cynthia (Cynthia Dianne)
System: The UNT Digital Library
Knowing is Seaing: Conceptual Metaphor in the Fiction of Kate Chopin (open access)

Knowing is Seaing: Conceptual Metaphor in the Fiction of Kate Chopin

This paper examines the metaphoric structures that underlie Chopin's major novel, The Awakening, as well as those underlying selected short stories. Drawing on the modern theory of metaphor described by Mark Turner, George Lakoff, and Mark Johnson, the author argues that conceptual metaphors are the structural elements that underlie our experiences, thoughts, and words, and that their presence is revealed through our everyday language. Since these conceptual structures are representative of human thought and language, they are also present in literary texts, and specifically in Chopin's texts. Conceptual metaphors and the linguistic forms that result from them are so basic a part of our thinking that we automatically construct our utterances by means of them. Accordingly, conceptual metaphor mirrors human thought processes, as demonstrated by the way we describe our experiences.
Date: May 1997
Creator: Green, Suzanne Disheroon, 1963-
System: The UNT Digital Library
The Agolmirth Conspiracy (open access)

The Agolmirth Conspiracy

Written in the tradition of the classic spy novels of Ian Fleming and the detective novels of Raymond Chandler, The Agolmirth Conspiracy represents the return to the thriller of its traditional elements of romanticism, humanism, fast-moving action, and taut suspense, and a move away from its cynicism and dehumanization as currently practiced by authors such as John Le Carre' and Tom Clancy. Stanford Torrance, an ex-cop raised on "old-fashioned" notions of uncompromising good and naked evil and largely ignorant of computer systems and high-tech ordinance, finds himself lost in a "modern" world of shadowy operatives, hidden agendas, and numerous double-crosses. He is nevertheless able to triumph over that world when he puts his own honor, his own dignity, and his very life on the line, proving to himself and to his adversaries that such things can still make things easier to see amid today's swirling moral fog.
Date: December 1996
Creator: Elston, James C. (James Cary)
System: The UNT Digital Library
Death and the Concept of Woman's Value in the Novels of Jane Austen (open access)

Death and the Concept of Woman's Value in the Novels of Jane Austen

Jane Austen sprinkles deaths throughout her novels as plot devices and character indicators, but she does not tackle death directly. Yet death pervades her novels, in a subtle yet brutal way, in the lives of her female characters. Austen reveals that death was the definition and the destiny of women; it was the driving force behind the social and economic constructs that ruled the eighteenth-century woman's life, manifested in language, literature, religion, art, and even in a woman's doubts about herself. In Northanger Abbey Catherine Morland discovers that women, like female characters in gothic texts, are written and rewritten by the men whose language dominates them. Catherine herself becomes an example of real gothic when she is silenced and her spirit murdered by Henry Tilney. Marianne Dashwood barely escapes the powerful male constructs of language and literature in Sense and Sensibility. Marianne finds that the literal, maternal, wordless language of women counts for nothing in the social world, where patriarchal,figurative language rules, and in her attempt to channel her literal language into the social language of sensibility, she is placed in a position of more deadly nothingness, cast by society as a scorned woman and expected to die. Fanny Price …
Date: December 1996
Creator: Moring, Meg Montgomery, 1961-
System: The UNT Digital Library
Rebellion and Reconciliation: Social Psychology, Genre, and the Teen Film 1980-1989 (open access)

Rebellion and Reconciliation: Social Psychology, Genre, and the Teen Film 1980-1989

In this dissertation, I bring together film theory, literary criticism, anthropology and psychology to develop a paradigm for the study of teen films that can also be effectively applied to other areas of pop culture studies as well as literary genres. Expanding on Thomas Doherty's discussion of 1950s teen films and Ian Jarvie's study of films as social criticism, I argue that teen films are a discrete genre that appeals to adolescents to the exclusion of other groups. Teen films subvert social mores of the adult world and validate adolescent subculture by reflecting that subculture's values and viewpoints. The locus of this subversion is the means by which teenagers, through the teen films, vicariously experience anxiety-provoking adult subjects such as sexual experimentation and physical violence, particularly the extreme expressions of sex and violence that society labels taboo. Through analyzing the rhetoric of teen lifestyle films, specifically the teen romance and sex farce, I explore how the films offer teens vicarious experience of many adolescent "firsts." In addition, I claim that teen films can effectively appropriate other genres while remaining identifiable as teen films. I discuss hybrid films which combine the teen film with the science fiction genre, specifically Back to …
Date: December 1996
Creator: Hubbard, Christine Karen Reeves
System: The UNT Digital Library
Visions of Light In the Poetry of William Blake and Emily Dickinson (open access)

Visions of Light In the Poetry of William Blake and Emily Dickinson

In this study the author compares the broad outlines of Blake's and Dickinson's thought, pointing out evidence of decisive Biblical influence not only on the content of their thought but on their attitude toward language as well. the author argues that both poets assumed the philosophical position of Job as they interpreted the Bible independently and as they explored many dimensions of experience in the fallen world. The author represents their thought not as a fixed system but as a faith-based pattern of Christian/Platonic questing for truth.
Date: December 1996
Creator: Nuckels, Rosa Turner
System: The UNT Digital Library