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Division of Jazz Studies
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The Adaptation of Saxophone-Like Phrasing into the Improvisatory and Compositional Vocabulary of Jazz Guitar: A Comparative Analysis of Phrasing, Articulation, and Melodic Design in the Styles of Jimmy Raney, Jim Hall, and John Scofield
An Analysis of Dave Holland's Free Improvisation in "Waterfall" and Its Pedagogical Applications for Bassists in Avant-Garde Performance
Beyond Fourths and Pentatonics: A Critical Analysis of Selected Recordings of McCoy Tyner from 1962 to 1963
Connecting "Ray Brown's Bass Method" (1963) to "We Get Requests" (1964): A Comparative Analysis
The Controversial Identity of Flamenco Jazz: A New Historical and Analytical Approach
The Emergence of All-State Vocal Jazz Ensembles in the United States from 1978 to 2022
The Evolution of Ella Fitzgerald's Syllabic Choices in Scat Singing: A Critical Analysis of Her Decca Recordings, 1943-52
The Evolution of the Improvisational Vocabulary of Marc Johnson
The Evolution of the Ride Cymbal Pattern from 1917 to 1941: An Historical and Critical Analysis
The Guaraldi Sound: The Musical Devices that Characterize Vince Guaraldi's Improvisational and Compositional Idiom
A Model of Collaborative Creativity: The Arrangements of Nelson Riddle for Frank Sinatra and Ella Fitzgerald
Motivic and Voice-Leading Coherence in the Improvisations of Saxophonist Chris Cheek
Programmatic Geographical Depictions in Large-Scale Jazz Ensemble Works: Major Works by Gil Evans and Chuck Owen and a New Work by Aaron Hedenstrom
Tone Parallels in Music for Film: The Compositional Works of Terence Blanchard in the Diegetic Universe and a New Work for Studio Orchestra by Brian Horton
Woody Shaw: Development of Style in Three Versions of "The Moontrane”
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