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An Assessment of Extant Euphonium Methodologies for Developing and Performing in the Upper Register
Preparing selected wind band euphonium audition materials through the use of etudes
Background, Compositional Style, and Performance Considerations in the Clarinet Works of David Baker: Clarinet Sonata and Heritage: A Tribute to Great Clarinetists
The Mystery of the Chalumeau and Its Historical Significance as Revealed Through Selected Works for Chalumeau or Early Clarinet by Antonio Vivaldi: A Lecture
Expansion of Musical Styles, Function of Texture, and Performing Techniques in Brian Lock's Sonic Archaeologies No. 1: A Performance Guide
Korean Cultural and Musical Influences in Younghi Pagh-Paan's Man-Nam I
The Historical Importance and Resulting Arrangement of Artie Shaw's Third Stream Composition Interlude in B-flat
A Comparative Analysis of Haydn's Horn Concerto and Trumpet Concerto
Commissioning Music for Trombone and Percussion: A Collaboration Between Composer and Performer with an Accompanying Survey of Trombone and Percussion Repertoire
Comparison of the Méthode Pour La Guitare by Fernando Sor with the Méthode Complète Pour La Guitare Par Ferdinand Sor, Rédigée Et Augmentée De Nombreux Exemples Et Leçons Suivis D'une Notice Sur La 7e Corde by Napoléon Coste
The Influence of Chinese Instruments on the Violin: A Practice Guide of Three Violin Techniques
Extended String Techniques and Special Effects in Arnold Schoenberg's String Quartet No. 1 and Its Significance in Chamber Music Literature
Mastery in Colonial and Post-Colonial Brazil: José Maurício Nunes Garcia's (1767-1830) Use of Trombone in His "Missa De Santa Cecília" (1826)
A Guide to the Performance and Study of "Dialogue de l'ombre double" (1985) by Pierre Boulez (1925-1916)
Occupational Stress and Burnout among American Pastoral Musicians
A Performer's Analysis of Georg Schumann's Sonata for Cello and Piano, Op. 19
Developing a Pedagogical Model for Twentieth Century Flute Repertoire
The Influence of Thomas Mann's "Doctor Faustus: The Life of the German Composer Adrian Leverkühn as Told by a Friend" upon Alfred Schnittke's Compositional Style as seen through His "Fuga for Solo Violin" (1953)
Geonyong Lee's Violin Works, Rhapsody for Violin and Piano and Heoten Garak: A Study of Compositional Style and Stylistic Influences
Performance Editions of Three Works for Winds by Gyorgy Druschetzky
The Saxophone in China: Historical Performance and Development
A National Idiom Universally Understood: Brazilian Tradition and Personal Evolution in Osvaldo Lacerda's "Variações e Fuga para quinteto de sopros"
Depiction through Evocation, Representation, and Introspection: An Examination of David Maslanka's Unaccompanied Marimba Solos
Interpretation and Execution of Chords on the Double Bass from Select Movements of the Bach Cello Suites
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