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The Amalgamation of Three-Dimensional and Two-Dimensional Processes
Although drawing had offered me many avenues for image exploration and mark making, it lacked the actual physical relief surface that was a natural part of the printmaking plate process (i.e., intaglio plates or relief surfaces). Sculpture allowed the images and marks to be realized dimensionally in the round; therefore, the images became objects.
Date:
August 1992
Creator:
Gentry, Larry Allen
System:
The UNT Digital Library
"Designing with Light": Carlotta Corpron and the New Bauhaus
A major figure to emerge in the history of American photography is Carlotta Corpron (1901-1987), who taught art at Texas Woman's University in Denton, Texas from 1935-1968. The rediscovery of her abstract images created during the 1940s reflects the growing recognition of the experimental photography at the New Bauhaus in Chicago from 1937-1946. Corpron's abstract photographs were stimulated by her interaction with Lazlo Moholy-Nagy and Gyorgy Kepes. Corpron was an innovator in the development of abstract photography in the United States. This thesis connects her work to that of Moholy-Nagy and Gyorgy Kepes as well as other major figures in American photography of the twentieth century.
Date:
August 1992
Creator:
Waugh, Erin L.
System:
The UNT Digital Library
The Dynamics of Structure and Discord in the Beautiful
The objective of my problem in lieu of thesis was to produce twenty hand-built porcelain objects which reflected this conception of beauty. To review the success of my project, I asked three questions to evaluate my work. 1. Was there significant structure to my works? 2. Was there significant discord within these structures? 3. Did the tension created through the interaction of these two elements of my work create beauty?
Date:
August 1992
Creator:
Merino, Anthony D.
System:
The UNT Digital Library
An Illustrative Documentation of Afro-American Vernacular Dancers From the 1900's to 1945
It was impossible to document all of the important dancers of the era; however, certain individuals were notably exceptional. The purpose of this study was to document and illustrate some of those dancers who impacted and influenced the development of American vernacular dance during the early twentieth century through the mid-1940's. The individuals chosen were as follows: Dewey "Pigmeat" Markham, John Bubbles, Bill Robinson, Earl "Snakeships" Tucker, James Walker and Charles Green (Chuck and Chuckles), Katherine Dunham, Honi Coles and Cholly Akins (Coles and Akins) Josephine Baker, The Derry Brothers (Ananias, Jimmy and Warren), Eddie Rector, Willa Mae Ricker and Leon James. Emphasis was concentrated on capturing an accurate likeness of the individuals as well as on establishing a specific mood. Since all of the above-mentioned individuals were dancers, a special effort was made to recreate the lighting and aura of the stage.
Date:
May 1992
Creator:
Woosley, Brigitte J.
System:
The UNT Digital Library
Presentation Options for Sculpture
The act of putting anything on a base isolates it and makes it seem more precious. The base separates the viewer from the sculpture and affects the relationship between the sculpture and viewer. The problem for me was to remove the base and experiment with the possibilities now opened to my work. The purpose of this study was to explore the presentation potentials of sculpture freed from the constraints of the plinth.
Date:
May 1992
Creator:
Morrow, Elizabeth Lynn
System:
The UNT Digital Library
As Thought is to Speech
This problem tries to bring together a comprehensive array of themes. There has been a duality between painterly techniques, recognizable images and disjunctive imagery. The subtractive painting technique used has created smooth transitions between images and made these hybrid realities more convincing.
Date:
May 1992
Creator:
Miller, Susan
System:
The UNT Digital Library
An Analysis of Retained Two Dimensional Elements in a Three Dimensional Sculptural Format
The object of this problem in lieu of thesis has been the exploration and identification of the retained two dimensional design idiom in the sculptural format of my work. (By this, I am referring to the lateral, planar quality which often continues as part of my designs.)
Date:
December 1991
Creator:
Trimble, H. Carl III
System:
The UNT Digital Library
Between Seeing and Knowing
I intended to create a body of work using a variety of media and a combination of imagery that is both subjective and objective in regards to representation. I incorporated into the work, words and phrases which are not related to the imagery. This has allowed the work to be variously interpreted. I wanted certain elements of the work to appear simultaneously very old and very new.
Date:
December 1991
Creator:
Middleton, Michael D.
System:
The UNT Digital Library
The Creation of New Metaphors Out of Symbols From the Past
In order to become more aware of valuable characteristics that may be unique to the paintings and/or the books, I proposed to execute a body of work consisting of four sets, each set containing one painting and one book. I continued using religious icons as subject matter and the motif of the layered pentimento of the fresco as a metaphor for self-investigation.
Date:
December 1991
Creator:
Gibson, Lambrini Piskioulis
System:
The UNT Digital Library
The Expressiveness of Porcelain and its Plasticity in Wheel Thrown Forms
This creative problem project aimed to develop a series of vase forms expressive of clay and its plasticity as developed through the throwing process.
Date:
December 1991
Creator:
Jeffrey, Jay M.
System:
The UNT Digital Library
The Decision Making Process Involved in Creating a Collaborative Multi-Media Installation
For my problem-in-lieu-of-thesis, I proposed to do a collaborative installation involving three or four spaces which incorporate multi-media and audience participation. My intent was to focus on the decision-making process for creating an installation.
Date:
August 1991
Creator:
Starnes, Anne Elizabeth
System:
The UNT Digital Library
An Investigation of the Packaging and Display of Jewelry as Image and Concept
Just as packaging in its most mundane, pragmatic sense refers to the commercial and traditional aspects of jewelry, so also does display. In addition to being a mere vehicle for presentation, the idea of display creates an intriguing set of design and conceptual problems which seem to be a natural extension of my current and ongoing concerns.
Date:
August 1991
Creator:
Corbett, Patricia Reedy
System:
The UNT Digital Library
The Mutation of a Fiddler Crab
For a year I have tried to be as far away from painting (painting in a strict sense, i.e., two-dimensional, canvas, glazes, washes, etc., as possible. I successfully built a quality body of work that was formally sound and conceptually sophisticated, far surpassing my original "fiddler crab period." Now, having grown my other claw I wanted to approach painting in a comparative relation to my other body of work. Specifically, I wanted to show the valuable visual possibilities ready to be investigated in my paintings. For this reason I did not want to completely abandon painting, nor did I consider halting production of my three-dimensional pieces.
Date:
August 1991
Creator:
Daleo, Andrew L.
System:
The UNT Digital Library
Nylon Monofilament Weaving: It Won't Hold Water
The goal of this problem was to incorporate clear nylon monofilamnet in a series of weaves traditionally chosen for their absorbent virtues that in these cases would achieve interesting textural effects and light-reflective qualities in addition to varying degrees of transparency.
Date:
August 1991
Creator:
McKinzey, Joan C.
System:
The UNT Digital Library
The Effects of Discipline-Based Art Education upon Reading Test Scores of Suburban North Texas Second Grade Children
This study examines the effects that discipline-based art education has upon reading test scores of public school second grade children. The progress in language arts of an experimental group and a control group were followed for two six week grading cycles. The experimental group was treated with DBAE instruction for one six weeks, while the control group received only studio production exercises. Both groups received no art instruction for another six weeks. Gains between mean pre-test and post-test scores indicated a significant difference for the experimental group but not the control group.
Date:
May 1991
Creator:
Stephens, Pamela Geiger
System:
The UNT Digital Library
Industrial Materials and Fiber Techniques in Environmental Sculpture
There are three recurrent themes in my work: 1) environmental installations utilizing ecologically unsound materials 2) incorporating air space with plastics 3) conceptual inspiration derived from dreams. I proposed to address these three themes by employing materials traditionally used for industrial applications (as in plumbing supplies and dry-cleaning bags) as fine arts media using fiber related techniques in environmental sculptural pieces.
Date:
May 1991
Creator:
Maus-Simpson, Marcia
System:
The UNT Digital Library
An Investigation of the Effects of Color and Line on Sculptural Forms
The purpose for this study was to investigate the effect of painting and drawing when used as an integral part of sculptural form. The following questions are addressed in this study: 1. Does color increase or decrease the three-dimensionality of a form? 2. When used, is color an integral part of the sculptural form or a superficial decoration? 3. Can drawn line (on the sculpture's surface) be used to flatten or deny the sculptural form? 4. Can drawn line be useful in describing or enhancing sculptural forms?
Date:
May 1991
Creator:
Hinz, Timothy W.
System:
The UNT Digital Library
Nineteenth Century Light and Color Theory: Rainbow Science in the Art of Frederic Edwin Church
The purpose of this study was to investigate the depiction of rainbows in the art of Frederic Church in relation to mid-nineteenth century scientific developments in order to determine Church's reliance on contemporary concerns with light and color. An examination of four Church paintings with rainbows, three oil sketches, and nearly a dozen pencil drawings shows that Church's rainbow art represents a response to mid-century cultural values connecting science and art. Changes within Church's rainbow depictions occurred as the artist explored the visual representations of light, synthesizing the scientific knowledge of light and color available to him, and reconciling that information with the requirements of art.
Date:
May 1991
Creator:
Upchurch, Diane M. (Diane Marie)
System:
The UNT Digital Library
Transcendence and Paradox: A Question of Female and Male
For the problem in lieu of thesis, a series of ten works were created in which a male image replaced the female image; I continued to utilize the same materials, format, and centralized frontal figure. A record of the work was accomplished by maintaining a written and visual journal on progress and outcome. Some research was made into topics related to the work, and the findings from the literature comprise chapter two of the paper. In executing this body of work and researching related topics, I hoped to better understand my conscious and unconscious processes and motivations in creating both the self-portrait series and the new series.
Date:
May 1991
Creator:
Bennett, Karen M.
System:
The UNT Digital Library
The Utilization of Semantic Webbing as a Method of Teaching Art Criticism in the Elementary School
Art educators and classroom teachers in the elementary schools are confronted with the challenge of helping children look critically at works of art and develop written and/or verbal skills to communicate their findings. It was the purpose of this study to determine the effectiveness of the conceptual learning technique of semantic webbing in teaching art criticism in the elementary classroom. The author revealed a significant difference of opinions between two sample groups and similarities between the variables of frequency of use, and familiarity of the webbing technique and its effectiveness in the classroom. The sample groups consist of elementary classroom teachers and art specialists who work with kindergarten and first grade children.
Date:
May 1991
Creator:
Peel, Marie A. (Marie Annette)
System:
The UNT Digital Library
Concept Vs. Intuition: A Study Into the Personal Understanding of Images
I was curious as to what my work was about and what images were important to me. There had to be a reason why I was driven to do what I did, whether it was a conscious, conceptual purpose or a subconscious, intuitive reason. The problem of this investigation was to discover which of these I used in the creation of my images or whether I used both.
Date:
December 1990
Creator:
Student, Cheryl L.
System:
The UNT Digital Library
The Development of Non-Clay Materials With the Expression of Personal Imagery
My creative project was to expand the depth at which non-clay materials such as wood and metal (brought, found, or otherwise acquired) were successfully blended with clay, both physically and visually. Also, imagery--so essential to the narrative quality of the work-- was to be expanded upon to provide a constant freshness that avoided repetition or variation for its own sake.
Date:
December 1990
Creator:
Northum, Melba Robbins
System:
The UNT Digital Library
An Evaluative Study of Three Units Developed for Multi-cultural and Art Historical Resource Curriculum for Kindergarten and First Grade Art
Two curricular needs exist for the elementary art classroom: multi-cultural lessons which are customized to address North Texas ethnicities, and art history materials for early grades, whether taught by art teachers or regular classroom teachers. This thesis addresses both of these concerns by developing lesson plans to meet the needs, and executing an evaluative study with North Texas art and regular classroom teachers of kindergarten and first grade. The teachers represent four districts, including rural, suburban, and urban demographic populations. Findings address time limitations for public school teachers, cultural exchange differences between demographic groups, and differences between presentation of the units by regular classroom teachers versus art teachers.
Date:
December 1990
Creator:
Morrison, Pamela Jay Hudson
System:
The UNT Digital Library
The Imagery of "Man": An Analysis of Ten Paintings and Their Related Imagery
The Isle of Man and Southeast Texas both display unique aspects of their geographical localities. In many ways they share similar attributes. I feel strongly that we are a product of our past and of our surroundings. So what type of imagery can be dealt with as a personal icon to link the two diverse places of my past and present?
Date:
December 1990
Creator:
Kennaugh, Don Michael
System:
The UNT Digital Library