This paper discusses and analyzes Ludwig van Beethoven's "Eroica" Variations, Opus 35. Cynthia Hukill explores the significance of the "Eroica" as a ground-breaking expansion of the variation form.

Extension is a three-sectional, one-movement composition for orchestra exploring various permutations of a single motivic unit. The central priority has been to present this motive in a variety of textural situations with a harmonic accompaniment evolving from a macrotonal to a microtonal setting. Some of the devices utilized to realize this priority are mixed-instrument timbral combinations, tone clusters, multiphonics for brass and woodwinds, multiple stops for strings, and superimpositions of multiphonics. Extension is unique in two areas. First, the evolutionary progression from a macrotonal to microtonal harmonic texture is made possible by expanding the priorities of instrumental performing. Second, the use of multiphonics for full orchestra is unique to this work.

This paper explores the connection between the Commedia dell'arte and the opera buffa genre and asserts that performers should be aware of this connection. John Arden Hopkin explores the history of the Commedia dell'arte and the rise of opera buffa.

Thesis provides a historical survey of unusual double-reed bass instruments. Carol E. North provides a historical overview before separating the instruments into those with a cylindrical bore and those with a conical bore and describing each in turn.

This paper analyzes the music of the Liederkreis, Op. 39 to provide insight into the nature and style of the piece. Robert Farias Austin, Jr. explores the history of the German Lied and the life of the composer, Robert Alexander Schumann.