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American Choral Music in Late 19th Century New Haven: The Gounod and New Haven Oratorio Societies
Jindrich Feld's Introduzione, Toccata E Fuga Per Flauto Solo With Three Recitals of Selected Works of J.S. Bach, Mozart, Messiaen, Berio, Martinu, Persichetti, and Others
Parallels in the Development of Electronic and Percussion Music and an Examination of Performance Problems in Lejaren Hiller's Machine Music for Piano, Percussion and Two-Channel Tape Recorder with Three Recitals of Selected Works of Rolnick, Kessner, Xenakis, Winsor, Niimi, and Others
Autographs 1928 : Four Songs for Soprano and Chamber Ensemble
Circumfusion: a Composition for Real-Time Computer Music Spatialization System
Evolution, Symmetrization, and Synthesis : The Piano Sonatas of Alberto Ginastera
Concertino for Flute, Timpani and String Orchestra
Harmony and Structure in Richard Strauss's Macbeth
A Capella Eletronnica
Schoenberg, Polyphony, and Mode : A Reception of the Composer's Twelve-tone Method in American Publications, c. 1925-1950
Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice
The Influence of the Tongue on Vocal Production
Artistic Expression in Music and Poetry
Miles Davis: The Road to Modal Jazz
The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 1
Solo Trombone Performances at the Gewandhaus in the Nineteenth Century: a Lecture Recital, Together with Three Recitals of Selected Works of G. Jacobs, S. Sulek, E. Bloch, C. Wagenseil, W. Ross, G. Pergolesi, T. George, F. Hidas, J. Albrechtsberger and Others
The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 2
Hartley Wood Day: Inventor of Numeral Notation and Adversary of Lowell Mason
How to Practice in an Efficient Way
A Study of Idiomatic Piano Compositions During the Cultural Revolution in the People's Republic of China
An Argument for the Reassessment of Stravinsky's Early Serial Compositions
Boulez's Sonatine and the Genesis of His Twelve-tone Practice
Comparative Study of the Bel Canto Teaching Styles and their Effects on Vocal Agility
Fanny Mendelssohn Hensel : A Bridge between Felix Mendelssohn and Johannes Brahms
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