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The Use of Jazz in Opera
Cyril Scott's Piano Sonata, Op. 66: A Study of His Innovative Musical Language, With Three Recitals of Selected Works by Mozart, Schumann, Scriabin, Debussy, Ravel and Others
Piano Quintet
The Essercizii musici: A Study of the Late Baroque Sonata
A Transcription of Op. 94 Morceau de Concert, by Camille Saint-Saëns For Solo Bass Trombone and Brass Ensemble
Use Restricted to the UNT Community.
Jules Massenet's Musical Prosody Focusing on His Eight Song Cycles And A Collection, Expressions Lyriques: A Lecture Recital, Together with Recitals of Selected Works of W. A. Mozart, F. Schubert, C. Debussy, R. Strauss, D. Argento, V. Bellini, J. Marx, W. Walton, C. Gounod, A. Scarlatti, G. Fauré, J. Rodrigo, H. Wolf, and Others
The Effects of Free Play As an Instructional Tool on the Quality of Improvisation of First, Second, and Third Grade Children
Symmetrical Features of Nikolai Medtner's Language: The Grzovaya Sonata, Opus 53 No. 2
Use Restricted to the UNT Community.
Techniques of Sensual Perception: The Creation of Emotional Pathways
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Haiku Seasons
Three Voices for voices, woodwind, percussion, and string instruments
Stylistic Elements within the Texture and Formal Structure of Ernst von Dohnányi's Four Rhapsodies, op. 11
The Vocal Pedagogy of Frederic Woodman Root
The Influence of Japanese Composers on the Development of the Repertoire for the Saxophone and the Significance of the Fuzzy Bird Sonata by Takashi Yoshimatsu
A study of the Violin Concerto in D Minor by Ralph Vaughan Williams
X, An Analytical Approach to John Chowning's Phoné
"Being" a Stickist: A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene
Innovations in Musical Texture and Aural Perspective: Steven Mackey's See Ya Thursday for Solo Marimba
Repetition and Difference: Parodic Narration in Kander and Ebb's "The Scottsboro Boys"
Exploring Aspects of Korean Traditional Music in Young Jo Lee's Piano Honza Nori
A Survey of the Solo and Chamber Works for Trumpet, Horn, Trombone, Euphonium and Tuba By the Hungarian Composer Frigyes Hidas
A Performer's Guide to Béla Bartók's Violin Concerto No 1, Opus Posthumous, 1907–1908
The Integration of Western Techniques with East Asian Philosophies in Isang Yun's Quartett Für Horn, Trompete, Posaune Und Klavier
José Antonio Gómez´s Versos Para Órgano (Section I): a Practical Guide for Performance
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