Like the trumpet concertos of Haydra and Hummel, the present concerto for trumpet and orchestra is set in the classical plan of three movements: fast, slow, and fast. The total duration is approximately twenty minutes. The instrumentation of the orchestra, reveals an ensemble of moderate proportions.

New York Cycle consists of the settings of three poems for bass-baritone voice and eight instruments. The poems, each of which serves as the basis for one movement, are "The East River's Charm" by Samuel Bernard Greenberg, "Brooklyn Bridge" by Vladimir Mayakovsky, and "The Skyscraper Loves Night" by Carl Sandberg. The instrumentation employed consists of two French horns, vibraphone, timpani, and string quartet.

Sinfonietta is a one-movement piece for full symphony orchestra. The work contains five themes, three of which are the more important. The remaining two are subordinate because they are shorter, and not as fully developed as the A themes. A diagram of the form of the piece is shown on the following page as Figure 1. The duration of the work is approximately 14 minutes.

The two purpose of this paper are to present an abbreviated study of the following three movements for orchestra, and to examine two different aspects of serial techniques used in the first and last movements respectively. Each movement is basically in the same A B A form; each, however, represents an entirely different approach to composition. Of course there are areas common to all three movements (melodic content, fragmentation, orchestration), and it is hoped that a stylistic continuity is maintained.

John the Baptist is a passion focusing on the sufferings of John in six movements for contralto, tenor, baritone, and bass soloists; chorus of mixed voices; boys' choir; and orchestra.

The problem of classifying variations according to technical plan and stylistic treatment centers on the determination of which elements of the theme (melody, harmonic scheme, structure) are retained in each component variation and the compositional methods (elaboration, embellishment, motivic fragmentation) which are applied.

"Gethsemane to Calvary" is a sacred cantata for mixed voices and keyboard accompaniment. It is divided into six sections which are called parts. With the exception of part one which is a potpourri overture, the parts are divided into a variety of choral forms.

Paul Hindemeith adheres to the traditional concept of using two trumpets in his orchestral brass section. The trumpet parts are notated in concert pitch on the score implying the use of the "c" trumpet, although in actual practice, the parts are often transposed and played on the B-flat trumpet by the performer.