William L. Wright (1868–1942) was born to be a Texas Ranger, and hard work made him a great one. Wright tried working as a cowboy and farmer, but it did not suit him. Instead, he became a deputy sheriff and then a Ranger in 1899, battling a mob in the Laredo Smallpox Riot, policing both sides in the Reese-Townsend Feud, and winning a gunfight at Cotulla. His need for a better salary led him to leave the Rangers and become a sheriff. He stayed in that office longer than any of his predecessors in Wilson County, keeping the peace during the so-called Bandit Wars, investigating numerous violent crimes, and surviving being stabbed on the gallows by the man he was hanging. When demands for Ranger reform peaked, he was appointed as a captain and served for most of the next twenty years, retiring in 1939 after commanding dozens of Rangers. Wright emerged unscathed from the Canales investigation, enforced Prohibition in South Texas, and policed oil towns in West Texas, as well as tackling many other legal problems. When he retired, he was the only Ranger in service who had worked under seven governors. Wright has also been honored as an …

In the late 1970s legendary pianist Bill Evans was at the peak of his career. He revolutionized the jazz trio (bass, piano, drums) by giving each part equal emphasis in what jazz historian Ted Gioia called a “telepathic level” of interplay. It was an ideal opportunity for a sideman, and after auditioning in 1978, Joe La Barbera was ecstatic when he was offered the drum chair, completing the trio with Evans and bassist Marc Johnson. In Times Remembered, La Barbera and co-author Charles Levin provide an intimate fly-on-the-wall peek into Evans’s life, critical recording sessions, and behind-the-scenes anecdotes of life on the road. Joe regales the trio’s magical connection, a group that quickly gelled to play music on the deepest and purest level imaginable. He also watches his dream gig disappear, a casualty of Evans’s historical drug abuse when the pianist dies in a New York hospital emergency room in 1980. But La Barbera tells this story with love and respect, free of judgment, showing Evans’s humanity and uncanny ability to transcend physical weakness and deliver first-rate performances at nearly every show.