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An Analytical Study of Paradox and Structural Dualism in the Music of Ludwig van Beethoven
Looking through a Different Lens, Beyond Censorship: The American Reception of Lady Macbeth of the Mtsensk District
Composing-Out Notre-Dame: How Louise Bertin Expresses the Hugolian Themes of Fate and Decay in La Esmeralda
Metric Dissonance in Non-Isochronous Meters
Crisis and Catharsis: Linear Analysis and the Interpretation of Herbert Howells' "Requiem" and "Hymnus Paradisi"
Sing Rāga, Embody Bhāva: The Way of Being Rasa
Allusions and Borrowings in Selected Works by Christopher Rouse: Interpreting Manner, Meaning, and Motive through a Narratological Lens
Use Restricted to the UNT Community.
Two-Dimensional Sonata Form as Methodology: Understanding Sonata-Variation Hybrids through a Two-Dimensional Lens
Multidimensional Musical Objects in Mahler's Seventh Symphony
Listening in the Living Room: The Pursuit of Authentic Spaces and Sounds in Dallas/Fort Worth (DFW) Do-It-Yourself (DIY) Punk Rock
Opera and Society in Early-Twentieth-Century Argentina: Felipe Boero's El Matrero
Developing Variation and Melodic Contour Analysis: A New Look at the Music of Max Reger
Tonal Enigmas: A Study of Problematic Openings and Endings
The Most Expressionist of All the Arts: Programs, Politics, and Performance in Critical Discourse about Music and Expressionism, c.1918-1923
Musical and Dramatic Functions of Loops and Loop Breakers in Philip Glass's Opera The Voyage
Negotiating Decades of Change in America: The Houston Chinese Traditional Music Group
Transatlantic Crossings: Nadia Boulanger and Marion Bauer
Continuous Harmonic Structure in J.S. Bach's Triple Fugues in The Well-Tempered Clavier and Art of Fugue
Igor Stravinsky: An Analytical Study of Programmatic Design of His Symphony in Three Movements
Searching for Songs of the People: The Ideology of the Composers' Collective and Its Musical Implications
Composing Symbolism's Musicality of Language in Fin-de-siècle France
Depicting Affect through Text, Music, and Gesture in Venetian Opera, c. 1640-1658
Shaping Hagiography through Liturgy: Music for the Patron Saints of Three Cathedrals in Medieval Aquitaine
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